The Gospels as a Dante-like Comedy

“Genesis” is an epic because it is a clash of civilizations and it also has a few sardonic jokes in it. The Gospels, on the other hand, are always serious minded but are a comedy in the sense that “The Divine Comedy” came to be called that because it is a vivid elaboration, as in Balzac, of the way of life of a particular and all too human society.

Mark Van Doren taught me a long time ago that an epic was episodic in that there were many events that filled in the space between the initial action and the final action. These  events did not so much move the action forward as take place within the environment created by the story’s parameters. From that I conclude, upon many years reflection, that epics are different from novels in this respect (as well as many other ways) because while there may be digressions and subplots in novels, much of the plot in novels is used to move the story forward. By these lights, I also conclude, “Exodus” is not an epic. It is too tightly plotted for that. It is more of what Vico would call sacred history, which means that it shows what had to happen rather than what might have happened or what in fact did happen. The Gospels are another sacred history because there too the narrators are recounting what had to have happened and did while the narrator of a novel is just along for the ride, for the telling of the tale, rather than the authoritative voice that commands belief in the inevitability of what is unfolded by a story or set of stories.

But the Gospels are certainly also an epic in the Van Doren sense. Even though the Gospels each present a biography of Jesus, there are, in fact, a limited number of episodes of what happens while Jesus is pursuing his calling as a preacher, no one of which is essential to the basic story, which is that a person born in a miraculous way is the long expected Messiah, something not established until after His death and Resurrection, a belief based, as St. Paul said in his letter to the Galatians, on faith rather than reason.

“Genesis” is also an epic. The story of the founding of a people, as that is prophesied by no less a figure than God, is told through episodes each of them interesting and yet where the scheme of the work would allow for any number of such stories, possibly there being more patriarchs with each their own set of stories. The seriousness of this story, moreover, is not mitigated but enhanced by our ability to notice the comic twist in one or another of the stories or the emerging character of the people who are created out of these stories. It may well be in the nature of literature that it can be read perversely or ironically, but “Genesis”, because it is so terse and requires the reader to infer the motives of the characters, is particularly prone to irony or some version of the comic. Perhaps the biggest irony is the one provided by the expulsion from Eden, Adam and Eve banished to a world where he will labor to provide food and she will suffer in childbirth. That is the way it is in the world. So the punishment of God is that people will live the lives they do in fact live, which can be regarded as not much punishment at all because it is no additional punishment, or else as a very serious punishment, in which case all of life is a kind of prison. Take your pick.

There is also comedy early on in God not knowing where Abel is. I know scholars nowadays say that the story shows God was regarded as walking among people and capable of being fooled. It seems to me, however, that Cain did not think he would very long get away with his denial even to a God who is a bit slow on the uptake. Cain shows his arrogance in a comic way by the bravado of saying he is not his brother’s keeper. A bit later on, Lamech says that he is greater than Cain because he slew a man who wounded him. To bestow that honor upon yourself is to show yourself as evil in a comic way because your words betray a foolish arrogance. There is no need for an outside description of Lamech’s grotesquely angry soul, only a transcription of what he says out of his own mouth.   

And Sarah, for her part, laughs and has to be reminded that she laughed when the angel told her that she would conceive. You do not laugh at God as a daughter might laugh at an earthly father. Nor does the reader laugh but is, rather, frozen cold by the fact that God has to be wheedled into being willing to spare Sodom if some good people can be found within the town. There is no joke in the fact that He made the promise, which suggests that He is not all that firm about using his powers, an “aide” able to change his policy, or that not even ten good men could be found. That irony makes the point that people are wicked, more so than because God is remorseless or because the evil of the people of Sodom had been spelled out, which it is not. Not all irony is funny.

The same comic touch is provided in that other tale that plumbs the nature of a people, the “Iliad”, where Ajax is a bit of a fool, Odysseus overly clever, and Achilles vainglorious. Did Homer not know that? We are fooling ourselves if we think that Homer was so entrapped in his own “culture” that he could not see he was overdrawing his characters. Shakespeare understood this when he wrote his dark farce, “Troilus and Cressida”

It is less easily said of Virgil that his characters, so highly motivated by their patriotic and other duties, are deliberately overdrawn for comic effect. That is perhaps why, despite its vividness, poetry and purposefulness, the “Aeneid” is just not on the same level as the “Iliad”. Nor is the comedy within the epic  rediscovered in Aristo or Dante or other medieval epics. That development awaits the Renaissance, that long delayed recovery from fifteen hundred years of Christian earnestness. There is Cervantes who, like Shakespeare, loved low jokes, and Shakespeare himself, who intrudes Falstaff onto “Henry V” so as to remind his audience that there is comic relief even in wartime.

But even if, by a stretch, one can find humor or irony in the Old Testament, there is nothing even remotely funny about the New Testament. Its whole tone defies interpreting it or any part of it in either a comic or an ironic way. There is dramatic irony in Jesus’ prediction that Peter will betray him, but that is not funny at all; it is to make one cringe. The emotions that dominate the Gospels and “Acts” are righteousness and mercy, those combined with an abiding sentimentality that would take offense if some incident in the life of Jesus and the lives of his followers were not approached with the utmost seriousness. The leper is cured. Marvelous! What about the leper further down the lane? It is an insult to raise that question; the auditor of the Gospel is more concerned to hear the cure as a proof of the divinity of Jesus than as an example of the possibility of lessening human suffering. We who are among the saved can rejoice even if the fruits of our salvation will not be visible to us until the next life, given our present life of toil and trouble, and we must, as Dante advises, remove our pity from those who are not saved, however pathetic or noble they may seem or be.

The New Testament, however, is a comedy, even if it is an unfunny one, if the term “comedy” is understood in the sense it has taken on ever since it was applied to Dante’s epic, which is also, for the most part, an unfunny comedy. What The New Testament does is to make familiar a way of life of a people, in this case made up of small farmers and market towns becoming ever more influenced by the cosmopolitan culture of Rome, just as Dante had made familiar the violent and mean-spirited life of late Medieval Italians. The New Testament portrays the vineyards and pathways and small towns and weddings that surround an itinerant preacher and his less than merry band, his solemn crew. This is a portrait not of a society in the making but of one that is already extant, the people softened as if they lived in a pastoral idyll, which is indeed how the times of Jesus may have seemed when they are recalled some thirty years later by those who composed the Gospels and “Acts”.

There are other great comedies of this type. There is, of course, Aristophanes, who is not a tragedian not only because he uses a low style and tells jokes but because his concern is the temper of his society as that is revealed by the way fools unravel pomposity and pompous people are shown to be fools. Plato’s “Dialogues” are a comedy as well as philosophy. They provide a vivid portrait of daily life among the Athenian citizenry. They do not do what modern anthropologists would like, which is to provide accounts of what people ate and how they prepared food. They provide more important things: what people said to one another at banquets; what they think about love rather than how they calculate the size of dowries. We get a sense of mental tastes and the variations on those tastes. 

And some of them are pretty funny. My favorite is the early dialogue, “Euthyphro”, which is a great comedy. Socrates meets a man who says he will try to get other citizens to join him in acquitting Socrates of charges of blasphemy, and then Socrates promptly goes on to demonstrate just how much of a blasphemer he is, cross examining this man on his way to prayers about why he is saying prayers in the first place and insisting that the man cannot just offer as a reason that it is the custom or that the gods demand it because Socrates wants to know the reason for the custom, Socrates also offering the telling remark that, after all, the gods disagree. So, Socrates, in defending a very abstract notion of religion, shows himself to be no friend of religion as it is usually understood (and as it continues to be usually understood, as a matter of piety, pure and simple). Euthyphro runs away at the end, saying he has no more time to talk, and you may be sure that he reconsiders his vote. You see the guy changing as the dialogue proceeds, becoming more and more uncomfortable with the sweetly stated but very nasty cuts taken against opinions he thinks so obviously true that it is outrageous to suggest otherwise. All of us can sympathize, our own balloons of pretension also every once in a while punctured, though most of us don’t get to sentence our tormentors to death.

Now, Plato might seem a ringer to throw into a list of epic-scale comedies. Plato provided, some say, the inspiration for our other main ancient example, The New Testament. That leaves us with a mighty few epic-scale comedies. The problem is that modern critics reclassify ancient comedies as novels. I was told by Moses Hadas that the “Odyssey” was the first novel. I am no longer sure about that. Yes, the “Odyssey” does give you a portrait of life on the islands, and it does have a plot that unifies it: a son searching for a father as the father tries to get home, with all that both of those searches imply. Yes, it has central dramatic scenes and long side excursions. The difference, though, between a comedy and a novel is that the novel takes the history of an ordinary family and spells that out against the backdrop of society. “Vanity Fair” is about someone who rides with Wellington to Waterloo, not about Wellington. It may take drama to show Bohr meeting Heisenberg (and opera to portray Nixon meeting Mao) and epic scale comedy is also about a great man, a hero, and that is what the “Odyssey” concerns, while the novel does not, even if its characters may act heroically, in their little and unknown ways, mimicking greatness, as they do in Shakespeare’s comedies and in Fielding. 

Joyce’s turn on the “Odyssey” is precisely, obviously, to show that his characters are like mythic figures, not that they are mythic figures, given that they sometimes fumble with words or sit on the pot. Part of everyday life is to go to funerals that are in part made embarrassing because of the people you are required to be polite to. Joyce’s novel is very funny and, I suppose, there is no need to declare that it is not a grand scale comedy rather than a novel except to keep our categories straight. Dreiser devotes “The Financier” to the fictionalized life of a real life robber baron who had also been disgraced before again ascending to power, but the whole point of turning it into fiction was to show how he came to terms with lust and shame and pride and his own financial talents. That is how fiction is different from journalism or hagiography. 

There are not that many grand scale comedies. They seem to have died out as an art form. “Don Quixote” is clearly an epic comedy, as is “The Canterbury Tales”. Perhaps Montaigne, writing about that abstracted character known as Man, is the last one to provide us with an epic-scaled comedy that provides the nuances of what it is to be such a creature through the depiction of its natural habitat, its social setting. The novel begins after Montaigne leaves off.       

There are many reasons for this interest of the novel in the ordinary person. Maybe it was that Shakespeare made kings into ordinary persons, or that there were so many ordinary people around who could now read novels and so learn about people who were on the same scale as themselves. Maybe it was the opening to literature as a form of journalism and so making journeys to different settings and to people of different class and background a kind of education, the novel a kind of National Geographic of the world of those who lived not many miles away-- perhaps in a manor and also perhaps in a rural village. And maybe, of course, it was part of the overall growth in the early modern age of the importance of the individual and therefore of the individual life. Everybody is important.

The rise of the novel, however, distracts from a consideration of how the New Testament provides some of those same pleasures even though its protagonist is so special a hero as to be the incarnation of God himself, and even though the Gospels are by no means written for the purpose of giving its readers a look see into the Palestinian community of the time. Rather, it is written to do what it says, spread the good news of the coming of the Lord by recounting his deeds, his sayings and his fate, along with numerous facts of his biography, so that subsequent generations will have a sound grounding in the historical sources of their religion because it is that history that makes a difference, that changed the world. At the beginning, at least, Christianity is not a priest bound religion but a text based one, however much the rituals that are developed by its priesthood do have biblical allusions as their basis. The ritualization of Christianity begins early on, even if one source of its power is the story it tells, which had not happened before, even if it had been prophesied that it would occur, and so is a new thing in the world, which makes of Christianity a truly historical religion, even as Judaism is historical because it relies on the image of God parting the Red Sea as a moment in history also awesome and ever to be commemorated.

There is an asymmetry, though, in this explanation of the great works of the Western imagination in that it applies the Greek theory of genre, as that was developed by Aristotle from instances of Greek literature, to works produced by one of the Semitic civilizations. Greek categories make “Exodus” an epic and make the New Testament a comedy. A theory of genres is a theory of tones, each genre hitting a distinctive emotional chord that can be regarded as a “natural” emotion of the human psyche, or as one fashioned out of cultural experiences that are both overt and the product of given or found culture in the sense of “culture” as that is known to anthropologists. Particular works of literature can combine those tones, as when Shakespeare alternates between comedy and tragedy and melodrama all within the same play, or when Beckett fashions tragicomedy as what can be regarded either as a new tone or a blending of old ones. The genre is a guide to the audience or the reader in that it sets off the universe of feeling that is allowed within a particular work, and the failure to maintain a consistent tone jars against the ability of an auditor to hold the work together as a fiction.

The imposition of Greek categories on Semitic literature would be arbitrary were it not for the fact that one can claim that these are universal categories applicable to any literature at any time, however it was that one or another culture came to craft what we would regard as journalism or epic or tragicomedy. But a perhaps more satisfying reason for applying the Greek categories to other cultures is that they allow the deepening of appreciation founded on other grounds. Criticism finds multiple confirmations of what it takes a book to be what it is. That is certainly clear in the case of “Samuel 1 and 2” which has long been recognized as something the equivalent of a Thucydides history: large political events are motivated by personal greed and other individual emotions as well as the play of other forces, all of these mediated through rational self interest and so providing a world which it is difficult to admire but rings very true to life.      

Seeing “Samuel 1 and 2” as an epic elaborates that insight. There are two main protagonists, Saul and David, just as there are two main protagonists in “The Iliad”-- Achilles and Hector. Each set acts out of very different motives and although one of each pair triumphs over the other, both are heroic in that they stand for an archetypical emotion larger than themselves. Achilles stands for gaining glory from heroism, however that diminishes personal life, while Hector stands for duty to country whatever sacrifices that entails. Achilles does not look to create a family; Hector is out to protect his family. Saul is like Hector. He is the responsible king, troubled at being king, unwilling to do what even God commands, such as kill all the Amalekites, if it conflicts with his duty as king. David, on the other hand, is rash and glory bound and as he evolves as a character becomes more tainted by his iniquities but does not often seem troubled in his dreams.  

So we can return to the Gospels and “Acts” as literary triumphs. They invest us in a world of olive trees, weddings, the betrayal of friendships, and a singular unapproachable figure who has a distinctive character and yet is an enigma which continues to trouble us, our imaginations taken up not just by Him but also by his setting, by the everyday life around him, this more familiar to the Sunday School graduate than any other environment in which the student has not himself lived. Don’t sell short the literary properties of texts that are sacred.

Faith in "Galatians"


St. Paul says that faith is abouty facts not fancies.

St. Paul’s “Letter to the Galatians” must have come from an early part of his ministry when he was still establishing his authority as an interpreter of Jesus. St. Paul gives this away by defending himself at the beginning of the letter from the accusation that he had been untrue to his view that circumcision was not essential for someone who had come over from the Gentile community to become a Christian.  In the course of his discussion of that sacramental and ritualistic issue, he comes to clarify his view of what is very distinctive about Christianity: that it is an allegiance to a belief that Jesus, as a matter of historical fact, that He had arisen from the dead and had by His crucifixion atoned for the sins of mankind. Christianity is a matter of belief rather than a matter of group identity or ritual or law or ecstatic experience, which is what other religions had been. He also explains how the nature of a religion of belief provides its adherents with kinds of freedom they would not otherwise experience and that far transcends the social categories of master and slave. Explaining these two ideas requires St. Paul to delve into topics that would seem too philosophical for someone not professionally trained, but we really don’t know enough about St. Paul’s background to speculate on what kind of learning he had. What St. Paul does in this letter and elsewhere, regardless of his intellectual training, is elaborate on the idea of what a proposition is and requires and so is his own way of introducing what will serve, somewhat down the road, as the basis for the scientific revolution: the assertion that propositions are either true or false and not merely having some grain of truth within what is largely a metaphor. Down the road will also be found the doctrine of freedom that is, when it becomes shorn of its religious associations, a crowning achievement of the early modern world: freedom means voluntary choice.

Read More

The Golden Rule Revisited

Compare the Golden Rule to what I call “The Titanium Rule”, which is to treat people better than they treat you.

The substance of the Ten Commandments, however radical the form in which it is stated, is conventional in that it refers to what is owed to God, now that he is defined as a single God, and what is by the way owed to other people, in that it is still about settling family disputes: families don’t steal from one another or seek to appropriate one another’s wives, which is the same thing. It says nothing about what has come to be called social justice in that it does not refer to the condition of the poor or the sick and it does not refer to how people should get along with one another, except insofar as they should not get in one another’s way. 

Read More

Predictions and Prophesies

Reasonable people make predictions all the time and even most religious people are able to find their doctrines reasonable but religious people are reluctant to admit when prophetic announcements don’t measure up but refer  them to an emotion, often to piety.

A prophecy is a prediction of something important that is unexpected, while something so usual as people in orderly fashion going out of a classroom when the bell rings is hardly even a prediction because it is so routine. A prediction is calling who will win a presidential contest or whether the stock market will languish but saying it will go up and down is too general, like saying the weather begets cold in winter and hot in summer. Weather predictions are correctly said as much when they are within close ranges offered just a few days earlier. It is important to make predictions because what will effectuate has consequences for you and so you can carry an umbrella or smell across the serengeti that game is coming nearby. It is in the nature of people that they can time travel into suppositions of the future just as they can recall how it was to be a child within one’s family. So it is not surprising that people have devised and divined technologies to penetrate into the future.

Read More

Primitive Times

In “Genesis” primitive times are shrouded by a paucity of history but “Genesis” also shows that the redactors want people to live longer.

In “Genesis”, right after the story of the Creation, there is the story of Adam and Eve and their family. It is a story often taken as the archetypal account of the human capacity for disobedience and murder. Then, later on, there is the story of Abraham and his descendants told with such density that it contains as much material as a series of novels. That saga carries a set of families into, among other things, encounters with the world civilization of the Egyptians and thereby sets the scene for the epic of liberation provided in “Exodus”. The redactors of “Genesis” fill the time between the richly detailed close ups of Adam and Eve and their family and of Abraham and his family with the more fanciful stories of the Flood and the Tower of Babel, those set amidst genealogies that, like movie fadeouts, show the passage of time.

Read More

What is Literary Criticism?

Literary criticism applies the character, plotting, genres and pacing found in literatureto real life and is scrupulously objective in doing so.

The modern age of literary criticism, which consists of providing commentaries and close readings of literature, begins with Samuel Johnson, in his brief comments, aphoristic-like, on Shakespeare. Previous to that there were commentaries and close readings of sacred texts but there was scant attention to particular texts, there being treatises on poetry, as in Sidney’s “Art of Poetry” and Pope’s “An Essay on Criticism”, which are theories of aesthetics, as when Pope says that poetry is something said as best it can, unless one includes Atistopones comments on three great tragedians. Nor is literary scholarship, which authenticates texts, to be considered criticism, nor are literary biographies or histories, which show the context of literature rather than attend to literature itself as the object of attention. Rather, the term became frequently and well known during the generation following Johnson, the Romantics, such as Lamb and Hazlitt and , all of whom thought literature itself worthy of comment and who developed techniques from getting into the text so as to elaborate morals, psychology, society and even the forms and genres of literature itself as ways to understand the human condition. The proper word is “criticism”, as a distinctive method in that it looks to find what there really is in the texts,  no matter how arcane or abstracted it may become and so is properly applied to Kant’s magisterial critiques of pure reason, judgment and practical reason, these particularly abstruse, but insisting that what is being said is implicit in what is clearly there in the subject matter, which in the case of Kant is reality itself, revealing  that volition is indubitable, just part of the nature of  things, because people cann ot do without the word “should” or that judgment concerns less than certainty that nonetheless operates as a process in  the world.

Read More

What is Conservatism?

Conservatives believe in community, piety, law and order, and people minding their place, while Liberals don’t.

Conservatism and Liberalism are the deep and contentious political points of view that have lasted since the Early Modern Period in European life, just as the conflict between church and state was the dominant opposing thought and political reality in the millennium that preceded it. It is a mistake that this central conflict arose when in 1790 the sides were set between left and right because of their seats in the French National Assembly. The roots are much deeper and more profound than that. They arise out of the response to the Scientific Revolution and to the conflict between crown and Parliament in England in the seventeenth century. The roots go deep and become at times unintelligible to one another even if other formulations have arisen as happened when in the second half of the twentieth century political philosophers, primarily Hannah Arendtg, thought the far right and the far left joined up as totalitarian, but by the end of the century there were no totalitarian societies left, except for the anachronism of North Korea, political institutions in China and Russia becoming merely authoritarian in  that they only intimidate and murder people who are political opponents while trying to meet their economic and public opinion matters as best they can. Similarly, the combination of Populist rhetoric of common sense easy solutions conjoined with plutocratic interests and power that is the distinctive point of view under Trump seems to me, if I am lucky, it will  be retired when Trump  leaves the scene, and politics will resume to be the conflict between  Liberals and Conservatives. We will see.

Read More

Republicans

Focus on Congressional Republicans. Despite their allegiance to Trump, and their fear of being primaried, most of them are smart enough to realize that the tariff water is a dumb ass move with no economic justification as is witnessed by the chart Trump offered that showed we would be putting tariffs on an island of penguins, which are hardly to be imported to the United States as meat because penguins are so cute. So the question remains why Senators and Congress members continue to support him, even though he has moved so much closer to economic and social chaos than any previous President and yet they refuse to  stop him? My suggestion is that even though they don't say so in public, they think he is crude but basically correct in that they are rejecting everything that has happened in  America since the Sixties and are filled with enough rage that they want revenge against it. Oh so low and far from statesmen like these people that they seize themselves with Ante-Bellum  feelings against the Union but without the contiguous geographic area or the control of the military that would enable them to unleash their feelings. Not the Progressives and certainly not the Liberals are as angry as even the apparently courtlyConservatives like Josh Hawley and Ted Cruz and John Kennedy, all of them well educated but giving up their souls to join the Populist cause, let alone Nancy Mace and Marjorie Taylor Green, the second of whom got into a cat fight with Jasmine Crockett who said Green was a bleached blond in  answer to being told by Green that Crockett had too much mascara. A comic version of Senator Seward of New York pummeled with a cane in pre Civil War times but exhibiting tremendous animus and very different from when Biden joined the Senate and learned to be courteous to arch segregationists because, after all, they had been elected to and the office should be honored.

What is to be done to bind a tourniquet  around America's wound? I would suggest that we can’t wait until the midterm elections because what if there is a cris over taiwan  orf a nation wide measles epidemic or major private sector layoffs and no one capable of managing such matters are available in  that the organizations to deal with these cruises have  been  depopulated and the now appointed leaders are incompetent.

Four Republican Senators have already broken ranks though for specialized reasons. They voted to suspend tariffs against Canada. Susan Collins did so because Maine exports lobsters to China and imports berries from Prince Edward Island, Lisa Murkowski because she has a secure and independent minded constituency in  Alaska, Rand Paul who has a principled position on Randian economics and seems reasonable under contemporary circumstances, and Mitch McConnell, who is retiring from the Senate and hates Trump. Four other recruits to a Republican Senate opposition to Trump suggest themselves. Chuck Grassley will probably not run for another term  and so is free of a fear of being primaried. Ron Johnson represents Wisconsin, a state dependent on  cross US-Canada trade. Freshman Senator John Curtis of Utah has five and a half years before he faces reelection and has already said that dismantling the government should be a kinder, gentler process, and perhaps Roger Wicker of Mississippi, the Chairman of the Armed Services Committee, who could claim his higher responsibility to matters of the shambles in foreign policy.

I am therefore appealing to other of very Trump friendly people to shed their cloaks of invisibility and raise out as statesman to say enough ios enough by moving to  impeachment proceedings on the grounds that the Constitution is not a suicide pact and incompetence is a high misdemeanor. It is easy enough for a democrat to say that, you wi;lsay. Because you are not betraying or changing your beliefs in  order to do so, but remember that Liberal Democrats displayed the Southern Democratic leadership over civil rights and opposed the Democratic President concerning the Vietnam War. People need to rise to the occasion  lest they become or remain  ashamed of themselves. Have these people no dignity?

The Dow Jones has dropped about 3900 points in two days. Is this not sufficient to awaken Republicans from their slumber?

                                                                      3 P. M., MST, April 4th

Political Time

When politics move quickly, as has happened in the past three months, people lose their bearings and their judgment. 

Politics does not have the dramatic practice of excising time that is irrelevant to the story. Like having a unity of place, drama also has a unity of time. The dramatic events of “Oedipus Rex” happen quickly through arranging timely descriptions of events in the past to be related from an introduced speaker. Jane Austen does the same  thing in “Pride and Prejudice” when Kitty reveals that Darcy was present at her wedding and that Shakespeare, in the words of Ophelia, describes what Hamlet was like before he went off to Wittenberg, he having been “the glass of fashion”. So politics seems languid and undramatic because it takes so long to unfold in real time, savoring the dramatic moments like a debate or election night, forgiving the languages where nothing much happens for the juicy moments when  it does. Be patient. Something revealing, something novel, will show up sooner or later. Meanwhile, an American election season lasts for a year and a half to build up and you  have to pay attention to see an important bit olf legislation, such as the Affordable Care Act, is wending its way through Congress from committee hearings and amendments and preliminary votes and then final votes, the opposition using time delaying tactics to stretch the  time even further. Most people will not hear of a proposal until it becomes signed into law. 

But sometimes political time moves more quickly, events speeding ahead and even multiple events going on  at the same time. That happened when Hitler took over Germany in the first hundred days he took office. There was the Reichstag fire and the  emergency powers and the appointment of Nazis to supervise academic departments in universities. Mussolini moved quickly from a march on Rome to being appointed  leader of the government. The same thing happened in the American Revolution whereby time was telescoped so that it took just two years between the Boston Tea Party, which was a protest, to Lexington and Concord, though that may have been long enough for American patriots to absorb into their heads what they were contemplating before engaging in war, just as Southerners had twenty years or more to think about whether they wanted to secede from the Union.

Read More

Into The Third Month

The open secret of farce is that nobody gets hurt. There are sound effects accompanyingTthe Three Stooges hitting or twerking one another but none seem the worse for where. So it could be said that the clown car is in charge of the Trump Administration, one another falling over one another in firing nuclear experts and then rehiring them after having done the same with avian flu experts. But the clown car runs into being a horror show when real damage gets done, as when a footballer is sent to a notorious El Salvador prison because his tattoo was misidentified as a gang tattoo rather than, as the ACLU claims, a tattoo of the soccer theme Real Madrid. That mistake could have been clarified if even minimal due process had been filled. A nm habeas corpus hearing would have revealed that and avoiding that suggests that the administration is deliberately acting to be cruel and capricious and so terrify anyone who they come across in their searchlights. Arbitrary arrest is the goal rather than a mistake and I wonder how far it will go, Social Security recipients without their checks because their names are similar to those who have died and law firms deprived of security clearance because the law firms are Liberal. Oh, the second of those events have already taken place.

Incompetence mostly seems a joke, just a clown car activity, just like The Three Stooges. Ordinary people fumble at doing their ordinary activities and so lapses are forgiven or perhaps for other reasons thought malicious. You forget your driver’s license but that’s important ikf your car is stolen. People get onto chat chains and there is no worse for wear unless they are communicating state secrets and lying that they are doing that to cover up the embarrassment of saying “oops”. Then it is worse to sound stupid than to lie because there is something at stake and so no longer a farce.And errors of incompetence add up to an evil if they destroy any institution through inadvertence even if not by design by culling the workforce sol that Social Security is inoperable or USAID stops operations and people die, or maybe it has been very clever that it is possible to circumvent getting Social Security and USAID without legislation to eliminate these programs by simply throwing monkey wrenches  into tube organizational machinery. The public has to decide if stupidity or malice is the prime emotion, and what difference does that make, if anything at all.

We have gone a long way from Milton’s idea that evil is so powerful that it must result from a fallen angel whose power resides in his tarnished glory. In the twentieth century, Hannah Arendt discovered the banality of evil, which did not mean that the consequences were banal but that the perpetrators were trivial people only concerned with running the trains on time, that very different from Iago, who we still try to understand for the depths of his m alice. Buty now, in the twenty first century, there is another aspect of evil, where it is uncertain whether it resides in  malice managed to achieve evil ends or, the same thing, evil ends thought of as good ones, as when Commerce Secretary says only cheaters complain of having lost their Social Security, or is just the fumblings of inadequate people set in high office because the President does not screen people for competence and only cares for loyalty, and anyway what difference does it make if appointees are incompetent father than malicious if the consequences are the same? The clown car is inn charge and people have to realize it isn't funny to want to make Canada the fifty-first state.

The Age of the Lachrymose

15-The Age of the Lachrymose


Religion is so powerful a force in social life because believers are united by the emotions they share in common as the inevitable or “natural” feelings that make up the human psyche, however much these may differ from the feelings people in other religions take as inevitable or “natural”.  Emotions are more important than the doctrines to which believers subscribe and we have known since Harnack that doctrines are themselves an unfolding of the emotional plausibility of an insight into the structure of things. The primacy of emotions accounts for the fact that even in our secular age the boundaries that divide up the world are those of religion rather than politics. North America and Europe are dominated by Protestant Christianity; the boundary between Europe and Asia is the border between Catholic Poland and the Catholic parts of Ukraine on the one side and Russian Orthodoxy on the other. The realm of Islam is engaged in a civil war of very long standing between Shiites and Sunnis. Africa and Latin America remain largely Catholic realms. And so on. So let us try to capture the distinctive emotions of Christianity, as those are exhibited by its core story of Jesus and His crucifixion and Resurrection, which make this particular religion stand out from what came before and which remain distinctive to the present day and which sustain this religion whatever the forces that buffet it about.


There is a secularism in the Bible, it has been suggested, that reaches back to its beginnings, whether that is set at “The Book of the Covenant”, which is included in but considerably predates “Exodus”, which promotes rational international law rather than custom or superstition, or if it is set in the early pre-Abrahamic era, which concerns whether people can live longer lives, or if that beginning is set during the times of the not so patriarch dominated families that are part of the nomadic life of Abraham and his kinsmen. The secularism pervades the Bible even when it would contrast, as it does so majestically in “Exodus”, the technology of chariots with an idea of something else, the ineffable spiritual life of those who have been liberated from Egypt by a miracle as visible to a large number of people as any in history and yet so rare as to be both unexpected and very notable. This secularism reaches its pinnacle, perhaps, with “Ecclesiastes”, which is, after all, a rather definitive statement of the secularist point of view. 


Another book that expresses that point, though in a very subtle way, is “Ruth”, always known for being the very best of all short stories, but perhaps less appreciated as an answer to the rape of Dinah. There are no ethnic frictions to pollute a story of love offered and consummated between good people. God, such as He is, abides in the silences-- in what might have gone wrong with this relationship between a wheat farmer and a woman who was a stranger and whom he first came across when she was collecting gleanings. Life has drama enough and can be sustained well enough without bitterness or hate or double dealing, much less the melodrama and/or tragedy that comes from invoking the name of God. Just let people be.


Then, in the century or two after “Ecclesiastes”, something happened to reset the emotional spectrum. It led to the setback of secularism for some fifteen hundred years, whatever else there is to be said for Christianity because of its complicated insights into the human psyche, including the longings for a better internal life. This setback was not just to material prosperity and science or in the return of superstition. It resided primarily in what I would consider a retrograde psychology. This story is well known from Edward Gibbon or, to a more contemporary audience, from Gore Vidal’s “Julian”, and what is fresh about my retelling of the story, should there be anything, is in using Biblical documents rather than Greek and Roman documents to outline the story.


The quietism which is found in “Ruth” and that can be regarded as either secular or religious is shattered by a new sense of sinfulness that is most fully acknowledged in the Four Gospels, however much the Pauline Letters attempt to mitigate the sense of sin by making sinfulness more abstract and therefore manageable. Christianity develops as a way to resolve the problems that arise when religion is overtaken with the bourgeois, lachrymose sentimentality that first appears among the Jews in post-Exilic times. The people in “Judith”, “Lamentations” and “Esther” feel sorry for themselves and at the same time crave conventional respectability. How is it possible to entertain both emotions at the same time? Christianity, in it’s over the top fashion, is an answer because it presents sentiments very different from the one present in “Habakkuk”, a book composed probably a generation or two before “Lamentations”.  In ”Habakkuk”, the thought is of revenge. God will do to the enemies of Israel what the enemies of Israel did to them. He will despoil them because He is an eternal god while your gods are just idols and so have no reality. Just wait till you get yours.


“Lamentations”, on the other hand, is a prefiguring of Christian emotions, full of self-pity in its portrayal of a Jerusalem recently defeated. It reports that most of Judah has gone off in exile and the people left have to fend for themselves. They have to sell what they have to provide the necessities and some of the young starve. The community has been humiliated because the inner sanctuary of Zion, the home of the spirit of Judaism, which was to survive anything, has been devastated. Her priests therefore groan. It is Berlin in 1945. And yet, how does the poet of “Lamentations” choose to imagine this scene? He personifies Jerusalem as a violated widow who is lonely and tearful, deserted by her lovers and by her friends. She was rich; now she is poor.


The trope of a rich woman deprived of her luxuries and the self respect that comes with those trivializes the story of the ravaging of Jerusalem. It is as if the story of the Holocaust were merely of the rich Warsaw Jews who lost their furs along with their lives. There is something disproportionate here that is the equivalent of bathos, as if Mrs. Lincoln were reported upset because the play wasn’t all that good. Moreover, the portrait of the widow is somewhat prudish. She is dishonored because she has been made a mockery. “…all who honored her despise her,/for that they have seen her nakedness;/she herself groans,/and turns her face away.” The issue is not the physical violence of a rape or the belittling that comes from that; it is the immodesty that comes from others seeing her being violated. This should not have happened to her, considering who she is.  The middle class niceties which are violated are the worst that happens to her, never mind the starvation.


“Judith” represents the fullness of this new emotional tack. It is composed in the century or two before the life of Jesus. To put the point briefly, Judith does a brave act by visiting the enemy general in his camp so as to kill him. She had risked her life as well as her honor because she got into his camp so that her beauty might beguile him and because her message to him that her people were taking expedients of defense that went against Jewish religious usages are words designed to persuade him that she had gone over to his side. She is welcomed into his tent in due time without the presence of guards, and takes the occasion to kill him. 


Judith speaks with pride of what she had done when she returns to her people. Yet she also goes out of her way to point out that she had not been seduced by the enemy she killed through stealth, however unlikely that was to have been the case. Her personal sexual respectability is put on the balance along with the assassination of the conqueror, as if the latter would not have redeemed her for whatever she had had to do to find him or make him vulnerable. Delilah was not such a prude.


Esther is also able to be of use to her people by taking advantage of a position bestowed on her in part by her sexuality. She is able to get the ruler to go against the wishes of his appointed minister in dealing with a subject people and instead turn to Esther’s brother, an acknowledged Israelite, as his go-between. In other hands, this might be the story of Jewish perfidy: getting into the inner sanctum so as to serve one’s other allegiance. But here it is a story of justice accomplished at the last minute by a righteous Jewish woman.


Now it might be said that you can hardly blame women for using the weapons they have to accomplish their political goals. Men certainly do use their physical strength to get what they want. But that does not account for the hypocrisy or the smugness as that is related in this and the other two stories. “Esther” cannot admit that what Esther did was close to treason. Moreover, these three stories do not do justice to the opposite sex. Think back to “Ruth”, that document before the change in sentiment. There, Ruth, under the tutelage of her once mother in law, seduces a rich man by slowly moving herself into a position of trust by relying on his good instincts, and then sleeps with him, and then wins a proposal. This is a very carefully carried out plot, so well carried out, in fact, that the reader is apt to mistake the story as being just a love story, when in fact it is a love story arranged to happen. But what gives the story its resonance as a love story is that it portrays the sentiments of her lover as honest and above board. He is not interested in taking advantage of her and she, for her part, is being beguiling so as to set herself up as a respectable wife. She is not duplicitous, just careful to arrange things in the steps necessary to have them work out. Positive affect is created but not the less genuine for that. Ever so has been the nature of courtship. A reader is very pleased that everything works out, that nothing goes amiss, that no one takes undue advantage of another. Ruth is respectable as well as seductive and neither she nor Naomi feel sorry for themselves or for their fates.


Christianity satisfies the same double desire found in the “Lamentations” era for feeling both shame and respectability. It does so through its doctrine of forgiveness. Your sorrow, which is a kind of weltschmerz, the world too much with us, we such pathetic souls, is answered, as is your quest to be an upstanding member of your community, proud of what you have accomplished, because you have been granted the right to feel other than sinful in spite of the hypocrisy you display in characterizing yourself in public as respectable, a figure who can hold himself or herself erect, despite all you have done to besmirch yourself, these facts ones that you keep to yourself, even as the people you pass in the street or live with do the same thing and secret the way their own souls are dark and despoiled. 


The Christian, therefore, is more occupied with his shortcomings (at least until St. Thomas) than he is with the ways in which he tries to do the right thing by his family and his nation. The Christian focuses on the state of his own soul more than on the well being of others, his sacrifices for others in the service of magnifying himself in the eyes of God. The Christian is preoccupied with sex because that is part of the original sin of Adam and Eve as well as a prime case of how life is beyond the control of the will of even the most sincere believer. The Christian is like the author of “Lamentations” in casting the net that catches human grief too narrowly and is like “Judith” in protesting his or her virtues too much.


The doctrine of the Atonement accomplishes the feat of allowing a Christian to hold his or her self as both respectable and sorrowful by transferring sins to another. But that “person” is not really a scapegoat because the transfer is done with bathetic grandiosity. A person’s sins are atoned for by the death of a God as if a God could die even if He became a man. If Jesus is the Son of God, even if there is any sense in which Jesus can be suitably described as a “son”, given that a father has to precede a son if he is to be considered a father in anything but a metaphorical sense, and that is true whatever the philosophical idea that makes Jesus coterminous with God. The death of Jesus is therefore not truly the death of a son. Jesus is, moreover, to be restored to his throne beside God when his nasty three days in the tomb are over, and that would not have happened with Isaac if Abraham had sacrificed him. If Jesus is only a symbolic son, and is perhaps as such a realization of the philosophic idea of God made concrete, as apparently seems to be the view of the author of “The Gospel According to John”, then what is the big deal? God would not be feeling pain, even if Jesus were, and it is doubtlessly the case that a great many good people, not just Jesus, have endured a great deal of pain. If original sin is such a big deal, then the sacrifice of Jesus will hardly balance the books.


But whatever its standing as moral reasoning, the story of the Atonement allows a person to be a pillar of the community, whether a farmer or a merchant or a tax collector, to hold his head high, putting into a box one’s own reprobate nature which is to be confessed in public so as to show that a soul has been reborn. The believer turns a corner to where admission of not just guilt but bad feeling becomes a triumph worthy of either Judith or the widow of “Lamentations”.  A sinner is saved if the sinner acknowledges being a sinner. Now, it is a psychological truth that people have difficulty facing up to their own failures and shortcomings, but it is an easy enough trick to turn a formula of words into a certification for entrance into the community of the saved. 


This psychological trick has a profound impact on the unfolding of the modern world. It suggests a bifurcation of the self into two parts, one concerned with the present world and the other with the afterworld or, at the least, a division between the public life of the individual and the private or spiritual life of the individual, whether that is simply based on introspection or the pursuit of some spiritual adventure that can result in salvation. People have to keep their eyes on their double fates even if the spiritual adventure becomes rationalized into the hope for “self-awareness” or “happiness”. Indeed, the Greeks suggest that those two emotional goals are not rationalizations but the fundamental motives people have, and so Christianity comes to reign as the religion which gives objective meaning to those goals and separates them from being merely practical activities.


Shorn of its religious trappings, the division of a person into two selves is a staple of the modern imagination, known now as the separation between the inner and outer self rather than as the separation between the bad soul and the saved soul. Shakespeare’s soliloquies show people who know themselves nonetheless hiding some of their motives from the outer or public world. Every novelist must provide both character and plot, those two very different things, one internal and the other external, to populate his landscapes, for not to do so reduces the novel to a tract or a history. And in the world of High Modernism, the two sides of people struggle with one another, conscious versus unconscious in Freud, memories against the present in Ibsen.

Read More

Short Post: Two Months In

I thought that Trump would go from bad to worse and then even worse than that but I did not expect it so quickly and deeply. Two months in, thanks to tariffs and personnel reduction, the United States has alienated its closest allies and endangered the Stock Market, Speaker Johnson passed a continuing resolution to keep the government open because Chuck Schumer correctly observed that a shutdown was even worse than the continuing resolution even though the House passed its initial approval of the CR without the Democratic amendments to say Social Security, Medicare and Medicaid wouldn't be cut. A Trump shutdown would give him even more authority to close agencies as non-essential. Moreover, cutting USAID in spite of Congressional mandates to spend it, means that the Congress' power of the purse is thwarted. By the end of the week or soon thereafter, Federal judges who insist that USAID and other agencies must be unfrozen will have to deal with the executive intransigence but the Supreme Court, however much a weak reed, can't just let Trump do whatever he wants to. It will be up to the Congress to enforce Federal judges and many of these people only care about buying the office chairs they were assigned to when they went toCongressrather than standing up for the Constitution. They may change their minds when people lose Social Security and other entitlements, being primaried a lesser danger than losing in the general election. But 2026 is a long time away in that there can be a lot of damage to the nation done in the interim.

So far, Trump has been an agent of destruction. People like J. D. Vance and Karoline Leavitt reinterpret what Trump says to make him more reasonable. He will leave out part of what he said and she will offer an interpretation of tariffs Trump never opined. Others will say Trump was ironic when he said Schumer was no longer a Jew when he was in fact quite serious minded. Oh for the days when Biden said what he meant and meant what he said when he called Putin a dictator and that he hadn’t communicated with him for a long time, there being only the obvious interpretation tat there was nothing for the two to talk about. The truth of the matter is that Trump is an agent of destruction because he can only think of destruction as the only way to accomplish things. Trump is stupid, ignorant and mean spirited. He is also deeply superficial and so has impulses and a word, such as “tariff”, as his only justification, not knowing what it means. He wants Greenland so he can build a sign called “Trumpland” on its biggest town. He wants Canada to be a state in the United States so that he can feel grandiose. He wants government efficiency because he lies the word, even if Musk really does want to destroy the government. Don’t expect him to be any deeper than that.


Who is going to bell the cat? Chuck Schumer in his NY Times interview Sunday, showed the menu we all, including me, can read. The Supreme Court could uphold the unfreezing of money allocated to Congress on various agencies and Schumer is worried that the administration would still keep it frozen, which troubles Schumer, and for good reason, because that would be a constitutional crisis. Another alternative is that Republican Senators would have had enough and oppose Trump, though Schumer may be giving them more credit than they deserve. Hasn’t Trump done enough to get Republican Senators to say enough is enough? Third, there is the midterm election. I note campaigning is just a year away. But Schumer worries whether the election will be clean, and so do I.

Reading "Ecclesiastes": Genre and Translation

"Ecclesiastes" is about inevitability, not justice.

What does it mean for desacralization to be completed? One suggestion is that happens when all the little twinkles in the universe that betoken a god have been snuffed out. No more angels; no more miracles. In that case, the task was accomplished by Leibnitz. Another way to think about it is when the idea of cause with its attendant idea that everything needs a cause is also abolished. In that case, Spinoza can be said to have accomplished that. A third view is that desacralization is accomplished when the universe is rid of purpose because that spells the end of not only gods and causes but also of even a functional plan for the universe, a final cause for it. That situation is already described within the Bible. “Ecclesiastes” is the statement of that nihilistic situation which is to be distinguished from the usual renditions of atheism which are willing to accept that there is some wholeness to the universe, just that it does not contain a presiding deity. The difficulty of coming up or even expressing such an extreme position requires the deployment of a number of ways to read a text. 

Read More

The Horseless Israelites

Only the Egyptians have horses in “Genesis” and “Exodus” though Canaanites do have horses in “Deuteronomy”. (No wonder the people of Israel were reluctant to embark upon an invasion of the Promised Land.)  Solomon had horses, but he is the possessor of what is supposedly a great kingdom. The domestication of horses is therefore the sign of great military power as well as of an advanced civilization. Wendy Doniger reminds us of this in her recent “The Hindus: An Alternative History”. She makes a big deal of the importance of horses, both for commerce and conquest and also as religious sacrifices. By that standard, the Israelites of the Five Books of Moses must be regarded as an inferior people even if they are possessed of what they think to be a superior God, one which is carried around by them, on foot, in an Ark. Remember, they walked rather than rode out of Egypt.

That image and idea of a horseless people is of central importance to what is ever afterwards regarded as the central moment in Jewish history: the liberation of the Israelites from Egypt. “Exodus”, which is a cohesive and extended narrative, and so very different from “Genesis”, which is known for its abbreviated narratives, is different as well from the retellings of the Exodus story that are found in the three other of the Five Books of Moses, interrupted as they are with digressions on law and authority. “Exodus” gives horses a certain pride of place, even if scholarship suggests that a chariot cavalry was anachronistic in that it did not develop until a few hundred years after the supposed time of the exodus. Four times in a few paragraphs in “Exodus” is repeated the tag phrase: “the Pharaoh, his horsemen, his chariots, his soldiers”.  These are all the same thing: the sign and the fact of a highly disciplined and trained fighting force available at a moment’s notice to a ruler, and the sign of an economically and technologically developed country, as is the case today, when rapid movement of devastating force is available to nations engaged in “asymmetric” combat with suicide bombers and guerillas equipped with weapons and only such transport as is captured from the enemy. 

The chariot is made possible by the large scale domestication of horses rather than just of asses and also by the invention of that very elegant machine, the chariot, which combines a platform with wheels. The platform is able to move at considerable speed, perhaps nearly as fast as the horses that pull it were they shorn of that burden. This machine can deal with the uneven ground that might easily unseat a standing rider. Chariots allow projectiles to be sent out into the air for long distances because the spear thrower who might accompany the charioteer has a solid place on which to set his feet and that gives energy to his throw. The chariot is therefore the tank of its time, a formidable weapon of war, here in “Exodus” used to recapture a departing people, even though a great number of the departing might be killed when rounding them up, something not thought advisable in the recapture of slaves, who are valuable property, and so a chariot led attack on the departing is a measure to be taken only if the previously subjugated population really does seem to be making good on its exit from home territory. Maybe they would have faltered or returned to their homes and their slavery if they had been left to try to get themselves organized and had failed at that. But the Israelites had done well enough to get to the borders of Egypt, and so the chariots had to be sent, like the cavalry, at the last minute. 

Not that the Pharaoh had not been willing to use harsh measures before. The narrative provided by “Exodus” suggests that the Pharaoh had used near genocidal means from the beginning to try to control the political impulses of the Israelites. He had ordered the Hebrew midwives to kill off the male offspring, which they had not done, claiming that the Hebrew women gave birth on their own, without benefit of midwives, and for this God praised the midwives, because otherwise that would have put an end to the Israelite rebellion then and there. So it was clear that the Israelites had a well organized social structure on their own that was independent of the Egyptians.

The Egyptians then tried to rule the Israelites indirectly. They made it more costly for the Israelites who, we may surmise, had a monopoly in the construction industry, to produce bricks. The Egyptians required the Israelites to provide their own straw, a necessary additive in the manufacture of bricks, but the Israelites were able to manage that. Then the Egyptians imposed the equivalent of a one child rule similar to the one that has operated in China for a few generations now, presumably as a way to control the population of a group growing too powerful.  

Maybe the Israelites weren’t really slaves but just a subordinated people. Maybe, on the other hand, they were slaves and the Egyptians were just culling the herd so as to keep the number of Israelites manageable. The “Exodus” account seems garbled because getting rid of male children would bring an end to the Israelites, which is not what you want to do with either a slave population or a subordinate population that is working for you. Maybe it was supposed that some males would live because their births would slip through the cracks but a great number would not, and that is all the policy makers care about. The presentation of the story as calling for the death of all male children is of use because it serves the literary purpose of bringing this story into line with the other attacks on children: the Egyptian massacre of first born followed afterwards by the massacre of the first born of the Egyptians. 

The heart of the matter may be that the slaves, or whatever they were, were becoming too numerous and that was a political threat but they were also so productive that fewer of them were needed. How do you control a subordinate population when you don’t want to kill the golden goose? Whatever the answer to that question, the fact of it is itself of the highest importance. This is a new kind of threat, one to the stability of the social structure, and such is not the case with occasional food shortages or the tribal unrest or the failed amalgamation of populations (as that is recounted in the tale of Dinah) with which “Genesis” had made the reader familiar. Distinctive bodies of people do not rebel in oriental despotisms, but here it is happening. 

Whatever the answers to the textual questions might be, the overall pattern is clear. God serves as an advisor and cheerleader for the Israelites who manage their own rebellion. They first resist by using internal social structure--the professional community of midwives-- to protect their children and are apparently successful at it. God need do nothing but praise them for that. Then they succeed at maintaining their prosperity even though they have to manufacture bricks rather than just build with them. This draws no comment from God, who is not required to weigh in on a purely economic issue as well as because the narrator does not want to draw attention to the fact that the Israelites managed this hurdle. It would be as if Jefferson had also listed in the Declaration of Independence all the good things King George had done for the Colonies. 

Then Moses and Aaron negotiate with the Pharaoh for the terms of release of the Israelites. That itself is a sign that things were going well for the Israelite cause. The apartheid regime began negotiating with Mandela only when they realized that the game was about over. The negotiations between the Israelites and the Egyptians were conducted against the background of plagues, which is the sort of guerrilla warfare that makes negotiations between ruler and ruled all the more urgent, however much it may also prompt one side or the other to contemplate ending the negotiations altogether. God takes credit for the plagues and for the parlor trick whereby Aaron’s rod turns into a snake, but doesn’t provide advice on what the Israelite negotiators should settle for. This is left to Aaron and Moses, who are engaged in the normal process of high stakes negotiation: what, if anything, to compromise so as to achieve their aims, which is the evacuation of the Jews from Egypt rather than an autonomous region within it or rights within the Egyptian polity. This aim is like that of Spartacus, to take people to a seacoast and thereafter elsewhere.  

Intergroup maneuvering, economic interplay, negotiations, are all the stuff of ordinary political life, whatever the magical trappings, and however bloody the relation between a superior group and a subordinate group can become. These interactions are just of the sort that S. N. Eisenstadt says are characteristic of bureaucratic empires such as ancient Egypt. The ruler pursues the political interests of the government by inveigling the cooperation of various subordinate groups through taxation, special favors, and regulation. The ruler is never secure; the people under him never satisfied. (Spinoza made the same point about the Seventeenth Century French monarchy.) But, for some reason, the Israelites would not settle for some compromise, even if it would better their material and social situation, and even though the Pharaoh had expected that compromise would be the outcome in that he withheld his chariots until the last minute. Why couldn’t the Israelites settle for some reasonable accommodation?

Once they had moved themselves to the shores of the Red Sea, the Israelites could no longer manage the conflict. They have to hope that God will exercise his powers to intervene in a most visible way when the chariots confront them as they are about to make good their escape. That may have always been the Egyptian plan--not to call up the cavalry until the last minute, should they then become necessary--but it was not a plan that the Israelites could have planned to deal with. The Israelites were not an organized military group on their own, just a number of families moving along on foot with perhaps some asses to carry their baggage. They were as surprised as were the Egyptians by what God did and that is part of what makes the story a miracle: it is an intervention unexpected as well as fortuitous. Brute force is not so manageable as politics, especially not the brute force of the greatest army then on the face of the earth.  So “Exodus” is, among the many other things it is, a tribute to the power of technology and to the fact that technology is distinctive in that there is no answer to it with negotiations or clever practice.

So the Israelites are mesmerized by the technology of chariots as the final appeal of a ruler. What did they have to contest it? They had shown they were good at social organization and at entrepreneurship and at moral clarity. These traits were among the ones that Joseph had brought with him to Egypt, though it may have been in Egypt that he picked up the ability to disguise his perspicacity about people and situations as a gift for the interpretation of dreams. The distinctive virtues of the Israelites will flower when they leave Egypt and form their own nation. Talents hidden or stunted in adversity can blossom in another environment. Organizational and political skills and moral clarity would make them a great nation. They would get chariots later. The intellectual inventions that allow the Israelites to think they can go against the grain of history is the invention of a literal God and the conception of that God as one of abstractions.These two claims on reality exist independent of the power conferred by chariots. 

A literal God is one who acts directly on history rather than as a metaphorical force in history. A literal God might seem to be an appeal to superstition or primitivism, while an appeal to metaphor is to think of all the signs God can give in history that an event is carrying a moral meaning. So it is a metaphor but realistic to take notice of the fact that an assortment of wise men are all telling you to do the same thing, and so that is to be regarded as a way God “intervenes”, so to speak, into the world. What makes a literal God as plausible as a metaphorical one and, indeed, far more psychologically impressive, is that this characteristic of direct action is reserved for very few events and very few personages. Most Catholics can understand that Santa Claus is a metaphor while Jesus, the Son of God, is not.

The Book of Exodus is so rich in imagery that there are images other than that of the chariot to provide a sense of an efficacious power that might counter the literal power of the chariot. That would show the engagement of God with his creation in a way that cannot be denied. God must act as a truly causative force and therefore not through nature but in nature. One image is that of the wall of water to the left and the wall of water to the right of the dry path through the sea that has now been presented for the Israelites to use to gain their freedom. That would have been quite a formidable sight, one available to everyone there at the time, not just the religious cognoscenti, nor as God was available to an unaccompanied Moses at the time of the burning bush. It is as if God had descended in a chariot upon Central Park so as to make himself available for a photo op. 

The Israelites would have had to have considerable confidence in their perception that a miracle was indeed taking place if they were to step onto the path left open by the cleaving of the sea, much more courage needed than is required today to drive over tall bridges or over causeways that move out of the sight of land. All you need in the modern instance is confidence that unseen engineers have set the bridge or causeway down properly. And yet the Israelites did it, perhaps because the approaching chariots left them little choice. Well, they could have surrendered, but this time it might have been full scale genocide rather than a return to slavery, the mutual killing of the first born making further negotiation impossible. 

The image of the walls of water in part has resonance because it is a reminder of the Flood. In a place with many arid and semi-arid districts, an abundance of water is a threat as well as a boon. Everyone knew the Nile was a sliver that kept Egypt alive, and so the Israelites were engaged in negative space: the dry sliver keeping them alive. It is also a powerful image because it is so unnatural, so clearly a violation of the way seas operate and so is clearly miraculous to anyone who witnesses it or trusts to the accounts of what happened. Robert Alter appreciates that the image of the walls of water is meant to be understood literally. He supplies the Hebrew word that describes the cut as being sharp and rough and so there is no possibility of it being merely an exaggeration of some “normal” kind of parting of the seas. Martin Noth says that all of the source texts for the final redaction of the story also present the event of the parting of the sea as literal.

The most visually and theologically rich portrayal of the parting of the Red Sea does not make use of the device of walls of water, however much that image is present in “Exodus” and is the common understanding, thanks to Cecil B. De Mille, who makes the water roll back on itself, so that it is like a Niagara that does not make wet those close to it. That profound portrayal is supplied in Poussin’s “The Crossing of the Red Sea” which shows not the actual divide of the waters but the immediate aftermath, as if Poussin had read G. S. Lessing and knew that portraying the moment before or after the central event, whether in sculpture or painting, is more effective than portraying the central moment. Poussin treats the Israelites as if they were only slightly more composed than survivors of a shipwreck. They pull themselves out of the still flailing waters as if the sea had closed over them as well as the charioteers and so some of them had probably been lost to the waters. There are casualties that accompany even miracles, which is a very sobering thought. 

The moment Poussin chooses to portray is right after the miracle and so is like the first few seconds after the Big Bang, when the aura of what happened is still around even though what is presented in now back in normal time. The people are just gathering themselves together, in twos and threes, in those intricate compositions that are so well known in Poussin, as well as being dragged down by their draperies, which some of them tug at so as to get out of the water. The faces of the survivors are painted small but even so they capture a moment of being dazed and yet awed and serene, not what would be expected of everyday survivors of a shipwreck but perhaps appropriate to this very special world historical event made by God. One man on the lower right is dragging a shield from the breakers, which is to be supposed to be from an Egyptian because the Israelites had no weapons of their own. So Poussin is paying tribute to the dead even at this moment of potential exaltation. 

This brief moment of the aftershock of a momentous event is accompanied by the wordlessness of awe and gratitude for what God has done. The glow of that moment will dissipate, but for the moment God is still present in the dark rectangular cloud mentioned in “Exodus” as what shows the way during daytime. It hangs in the sky of the Poussin painting so as to suggest the end of a storm, but the shape suggests something more. It is the barrier that God created between the Egyptians and the Israelites before the Israelites began their crossing. It is also like the rectangular solids Arthur C. Clarke and Stanley Kubrick use in “2001” to mark the presence in this solar system of Clarke’s substitute for God: some far off intelligent race which every once in awhile intervenes to allow a race of sentient beings to survive. Only rarely do these creatures make themselves known through their objects

Poussin is more able than anyone else I can think of to treat the crossing of the Red Sea as both a religious and a natural event. All the physical elements of a shipwreck are there as well as the emotions and surroundings that would accompany a shipwreck, except there are intimations of something more: there is a feeling of release after a great religious moment has passed, it having transformed not only individual lives but all of human history. The reader of “Exodus”, however, knows full well that there are many more magisterial religious moments that will soon transpire: the wandering in the wilderness; Moses’ trip up and down Mount Sinai; the arrival at the door to the Promised Land.

Treating the miracle of the parting of the Red Sea as something to be explained away by providing a scientific explanation of how the winds could have separated the Sea of Reeds so as to provide a path through the water is to miss the point of the story, which is that it takes God’s grandeur to counter human invented technology, just as it had taken God’s grandeur to defeat the Tower of Babel, another claim of the power of human ingenuity to recraft the world. Moreover, the imagery seriously redefines the relation of God to his people and God to the world. 

There is a sequencing of events, the stakes ever more significant. The beginning and most of the struggle between the Egyptians and the Israelites can be understood, as has been suggested, in strictly secular terms. There are group dynamics between the rulers and the institutions of those oppressed; there are economic sanctions; there are negotiations. Even the plagues can be understood as urged on by God through his siding with Aaron and Moses, but the plagues are themselves mostly natural: kinds of pestilence and other disaster that can come in that climate. The parting of the Red Sea, however, is a necessity in that the failure to do so will result in the destruction of Israel, and that God cannot allow. And so He steps out of the shadows, no longer the instigator or the presiding presence, to take an active part in the history of Israel. Moses may be the one who raises his arms to part the seas, but he is acting out of his special relation to God, and so here distinguishes himself from being a mere patriarch or prophet or priest or magician by becoming a co-adjustor with God, a singular relation to God not to be repeated until the same claim is made for Jesus. 

This intervention of God into history contributes to making of Judaism what it would become called: a historical religion. That means that the interventions of God into the world is always momentous and also very rare. Not every chance event or bad emotion bears the mark of the supernatural. God intervenes, becomes clear in history as an actual force, only when there is no other recourse than God to change things, and only then does God declare himself by indeed changing things, his capacity to do so become visible. So the story of the parting of the Red Sea can be taken as part of the path to the secular because it restricts the arena for the operation of the supernatural. It also helps put humankind on the road to the secular because these few events when God intervenes are to be taken as having actually happened, “historical” in the same way that events of ordinary life are actual. It is therefore possible to describe them as being true or untrue, while mythological events always play on the close relation between a metaphor and a simile, the wise man or magician always knowing that what is attributed to the gods can also be attributed to a human passion and who is to say whether it is better to refer a feeling or event to one or the other? 

Putting a truth value on a supernatural intervention, treating it as a fact, means that there is no need to distinguish between miraculous times and non-miraculous times. There never was, to the imagination of “Exodus”, a time whose characteristic was that miracles occurred on a regular basis, only times when miracles were called that because they took place only when they had to. The same goes for another of the momentous interventions by God into human events that takes place in “Exodus”: the giving of the Ten Commandments to Moses. It was the enormity of a people living without a law that made Mount Sinai necessary, for only afterwards would it be understood that people needed law not only as a practical expedient whereby tribal unrest might be mitigated, as is provided for in the Book of the Covenant, where penalties are assigned for bad deeds done when one tribe raids another, but as the necessary bedrock upon such an obstreperous people as the Israelites can become suitable to abide together rather than remain an anarchic mob subject to the whims of the moment.

A Short Post on Ukraine

Here is a principle of international relations if that can be dignified as a “principle” when it is backed up, as is usually the case in political science, with only a few examples. The principal is this: an alliance takes a long time to develop and when alliances change quickly because of immediate circumstances, such as a casus belli or a shift in national administrations, they are likely to be short-lived. Russia became an ally of Great Britain and the United States only when Hitler attacked the Soviet Union and the Soviet Union became an adversary of Great Britain and the United States as soon as the war ended as it had been since the Russian Revolution and has remained so until this past month. On the other hand, Great Britain and the United States who were in opposition from their founding through the Civil War, gradually realigned with one another so that the Americans couldn't but help to assist the British by the time of the First World War.

The reasons for that principle are based in two overall theories of international relations: geopolitics and elective affinities. That the two powers of France and Great Britain have been at war on and off from the Middle Ages through the Napoleonic Era, the two coming onto the same side at the time of the Crimean War and ever since, is because they were separated by only the English Channel and between them could contest the entire world, not just in Europe. Croatia and Bosnia were at war with one another also because there were two distinct peoples living right next to one another. The United States went to war with Spain in the Spanish-American War not because of the sinking of the Maine but because someone had to take over the remains of the Spanish Empire, particularly the Philippines, and the Americans didn’t want that to be Japan, the new rising power. Elective affinity helped the realignment of Great Britain and the United States because, at root, the Americans shared a common language, a common culture, and a mutual appreciation of democracy and constitutionalism. John Adams admired the British system. The division for a century was fratricidal. The United States championed Israel despite the geopolitical interest in cultivating the Arab states because the Israelis were Westerners who settled in an unfriendly area and were devoted to medical research, symphonies and a democratic regime.

So what of the present situation in Ukraine? Geopolitics partly explain it. Just as the wars in the former Yugoslavia in the Nineties could be understood as a set of boundary disputes occasioned by the breakup of the Soviet Union in 1989. The war between Russia and Ukraine is also a border dispute over the boundaries of Russia after the dissolution of the Soviet Union. Ukraine had been given guarantees of its independence when it gave up its nuclear missiles when it left Russia. There are also cultural differences between eastern Ukraine, which had been part of the Austro Hungarian Empire and so a European country while eastern Ukraine and Crimea were largely russified and so a partition could have been arranged between Putin and Biden but Puyin miscalculated, thinking he could get it all, including Kiev and Odessa and so restore what Catherine the Great dad conquered in the eighteenth century. And so a protracted war between Europeans and Russians. With the United States on the European side

What Trump does is intrude and alter traditional alliances on the very flimsy excuse, the casus belli, akin to the U. S. S. Maine, of regarding Zelensky as having insulted him in the Oval Office even though Zelensky was willing to give over mineral deposits if he got some guarantees of independence which Trump was not willing to accede to. What was really at stake was not the trade but a realignment to Russia rather than Europe by Trump for reasons long discussed but not uncertain. Does Trump just like strongmen or is it thatPutin, for some reason, pulls his strings? We don't know. But such an alliance will be short lived because it can be dissolved in haste if made in haste, a subsequent President restoring its shared culture with Europe and in opposition to big power authoritarian regimes, but different this time in that Europe, having matured as as entity since after the Second World War, is an alternative democratic continent and wary of the American one. America will not be the leader of the Free World because it will have two consuls and perhaps, in not too long a time, the Pacific Rim a third democratic area. That may be what Trump hath wrought.

Dr. Johnson's Sociology

A literary person, not a statistician , invented sociology.

The usual way to deal with the history of disciplines is to identify its originating figure. Copernicus started modern astronomy; Aristotle invented poetics and metaphysics; Adam Smith invented economics and Darwin, backed up by combining geology with Malthus, invented evolution. But that isn’t quite right. Evolution was independently developed at the same time by Wallace, which suggests that the idea was gurgling  along and would have been invented a number of times at about the same date, and Smith was predated by  those who influenced Hamilton even after “The Wealth of Nations”. And who is first at biology? The circulation of the blood or the cell theory or as far back as Vesalius who operated on wounded soldiers? There are incremental changes that take place before there is a striking moment when a field becomes recognized as itself. Rather than looking at pivotal figures, look at the distinguishing characteristic when the discipline emerges. Plato engaged in distinguishing reality from appearances before Aristotle proposed treatises on the essential categories of cause and animation.

The same is true of sociology which is credited as a discipline by Comte, the Frenchman who, after all, had coined the term around 1830 even though he is not to be identified either with statistics or a mechanism for society but is rather a popularizer of the metaphor that society is subject to a scientific endeavor borrowed from physical science. Forebearers would include the political dynamics of Madison in the Federalist Papers and Hume on the social dynamics of revolution, the political sphere of social life examined before its social life, but then again More’s utopia shows how agriculture and commerce constrain one another and isn’t that sociology? I want to present as a forbearer of sociology nolt only Samuel Johnson’s description of the sociological state of the Scottish economy and society, which was a travel book and bereft of statistics (Hume already having introduced statistic about social life with his description of the demographics of the ancient world populations) and even though he was writing essays rather than treatises or monographs. What he did in his short essay “The Benefits of Human Society”, (“The Adventurer”, No. 67)  was to find the characteristic thing of sociology, its essential method, which was to think of an attribute as a characteristic of a social group rather than as a generalization of the attribute of individuals and applied that to the modern world while Tacitus invented anthropology because he  had attributed the customs of the Germanic tribes to their collective cultures.

Johnson observes that people familiar within their social circumstances may become insensitive to what is going about them, and that is an explanation enough for why people immersed in society may not appreciate the significance of what they are doing even if they are acting in perfectly reasonable ways. It takes the trained eye, such as Johnson's, to notice the obvious, and that can be said of sociology itself, whereas anthropologists observe the exotic so as to identify the fundamental. Johnson notes that in cities people create goods to sell that people did not know they needed until these objects were invented and offered for sale, his example the clay pipes whereby people can indulge in what he regards as the filthy habit of smoking, further refined as snuff so as to gain a pleasure never before acquired. There are any number of these products and with little trouble anyone can become a producer and a seller of some product or other and cumulatively provide a cornucopia of plenty never heard of before. I can add that the socialist ideal of an efficient and therefore less expensive service, such as universal health care, might save money through eliminating duplication and waste and profiteering, but that competition however its costs, can also lead to lower costs and better products so long as real competition is maintained through  government t regulation, but these issues appear much further on from Johnson on the stages of economic development. The point is that abundance, such as cities produce, is natural only for cities and is not there in a state of nature where goods are scarce and rudimentary. What now seems inevitable in London is a wonderful invention of the cities.

The primitive man can be praised for being self sufficient in that with his own tools he can build a canoe or work a farm, but this individual life is meagre in its pleasures and in its abundantly painmms and that life is “short and mean”, tome invoking the use Hobbes’ phrase to describe the social life when there is no  commercial life rather than because there is no political life. The baseline is that the primitive life cannot imagine the prodigality of the commercial life which allows people to ease themselves on the couch and think of the luxury of deep thoughts rather than just living day to day. London is a miracle taken for granted.

People have noticed the difference between cosmopolitan cities and rural areas for a long time. Aristotle treated “coincidence’ as what happens when people meet one another in the port city of Piraeus. Presumably, people who otherwise meet one another on the street are people you come across one another a lot of the time as part of their daily routines and so are not coincidences. But really big cities that emerged in the modern era seem to have a life of their own. London grew by a quarter from 575,000 to 740,00 from 1700 to 1760, which meant just about within Johnson’s lifetime, which was between  1709 and 1784. So it made sense to think of the growth of the city as an attribute of the city rather than just the intermingling of individual actors, and so we are at sociology rather than group psychology.

Johnson can therefore be thought of as an originator of sociology because of his noticing attributes of groups rather than people even though his writings  are literary rather than scientific, Comte later to claim that sociology was the application of scientific method to social life. Moreover, Johnson noticed social qualities without reducing it to formulas, which happen a generation later when Malthus came to understand that population increase was exponentially while food increase was linear, which turned out to be untrue, while Johnson’s “prediction” or just suspicion that Scotland needed to invest in herds of sheep was correct if it were to become prosperous. Nor did statistics become more than incidental rather than essential to sociology. What Lazarsfeld found about voting  behavior was the application of the Marxist idea that attributes rather than motivations could be considered the “cause” of voting behavior. What made Johnson seem less than sociological was that his right resulted from personal acumen rather than the application of replicable and  methodical study, a goal rarely attained in sociology because if an election doesn’t turn out as was expected, it just means voters changed at the last minute and, anyway, that is just one election never to be repeated again  and so not testable.

Sociology has long distinguished itself as the study of advanced industrial societies as opposed to anthropology which centers on primitive peoples and how present societies still have the dynamics found in primitive societies. Johnson engaged in such a venture in his Tour of the Hebrides where he contrasted the ancient castles and spooky moonlight shadows of Scotland with the more advanced, prosperous, commercial society of Great Britain. Another theme of sociology has been urbanization, the culture and structure of cities. Explored by the Chicago School in the early part of the twentieth century, the process of suburbanization in  the Fifties and Sixties, and the decline of the older inner cities in youtube following twenty years. This preoccupation with the cities is explored by the purist of sociologists, Georg Simmel, the German sociologist in the first quarter of the twentieth century, because he thought most of social life could be understood as tube direct consequences of sociation itself, which are the qualities like conflict and affiliation that are inherent in dealing with people and so not matters of personal inclination, that A way to treat human behavior as attributed to interaction or group rather than individual behavior.

Simmel,  like Johnson,  dealt with cities and came to similar conclusions. The prolixity of products and services available in cities made them prosperous and in some sense free because they could get anything they wanted or things that they did not realize they wanted until it became available. But the reason for that is not as Johnson thought, commerce but the fecundity of people to invent things out of their minds because of their various interests and capacities. Simmel mentions that in a city there can be found a broken plate society, something I have never heard of elsewhere, but that makes sense. A plate is broken into pieces and every piece is given to each of its members, the piece given to another member when a person dies. When the last but one piece or person is left, the last piece goes to the last survivor and the pieces are reassembled. That can be thought of as a symbolic expression of the fidelity of the group or simply a commemoration that there was such a group. This procedure exists because people in cities are various enough to do inventive or strange things. So it is necessary to distinguish cosmopolitan from simply large cities. Cosmopolitan cities, such as those in European seaports, which bring all sorts of people there, will originate such fanciful o profitable enterprises while cities that are merely lare, so that a great many people congregate in a place but are very similar to one another, which I am told is true in many current Chinese cities, will not generate such ingenuity. That situation and practice of cosmopolitanism is a measure and tribute by Simmel to individualism.

Here is a thought inspired by Johnson which is not met by even Simmel’s sagacity. The result of all of this production and commerce in tube city is not just that it is prosperous but leads as well to a kind of equality of the only sort there may be. Whether low or high, honorable or dissolute, people will find this to produce and sell. Moreover, the city will provide all of these plenties to buy and so every person is not just to beware of what is sold but sense the profligacy of what is available, the abundance of riches between people can make choices about what to buy and what not to buy, The consumer is the king, gaining his pleasures as he sees fit and so to have an  active and real meaning to the abstract notion of choice and therefore, I would suggest, the gist of the idea of electoral choice, every voter assessing the merits of the candidates offered and deciding which ones are worthy of selection and subsequent election. There is a tie between democracy and commerce that is emerging at that time in England, Adam Smith a decade later than this essay offering “The Wealth of  Nations” Democracy is the hustle bustle of commerce and this connection was appreciated as far back as Spinoza who observed that a politician was someone who had to gain the supporters of his constituents  whether he was a nobleman or a blackguard or both who was offering himself for commendation. The energy of campaigning is like the energy of engaging in financial transactions. There is a drama about whether a deal to exchange a good for money will be consummated just as there is the drama of whether a candidate, whether for charm or sobriety or meanness will be turned to the favor of voters.

A Short Post on Impeachment

It is not too early for the House of Representatives to impeach President Trump. He has in his one month of office violated a number of significant laws that injure the Constitution and seriously endanger the fabric of the American order and there is no need to wait until the government is destroyed before it can be remedied. The impeachment power is very broad and inherently political, the Constitution saying “high crimes and misdemeanors” which means anything weighty enough to get Congress to act, as Hillary Clinton said when she was a staffer on the Watergate Committee. Andrew Johnson was in danger of taking over the War Department when it was still a question whether the South would restart the Civil War and so, in my opinion, should have been convicted. The near impeachment of Richard Nixon was also serious because there was a plan and action towards undermining the electoral system. The impeachment of Bill Clinton was frivolous, just a private matter just to get payback over the Nixon resignation, and the two impeachments of Donald Trump were for serious matters: first to use foreign policy for personal political advantage and, second, to overthrow the government.

Here are some of the charges against him. Trump, first off, fired the inspector generals who are career servants who manage abuse in their agencies and so belies his attempt to get rid of fraud and abuse. He did so by failing to provide the thirty day notice required by law, which Senator Lindsey Graham regarded as a technicality b ut is at the heart of the matter, which is an executive branch independent of the chief executive, reliant on law rather than as Trump says, as a king. Trump all but abolished the USAID, which had been established by Congress, and so while there is a degree of flexibility whereby it can be reorganized by the chief executive, it is illegal to abolish the overwhelming part of it because that would be the equivalent of a line item veto and no such act has been passed by Congress and might not pass muster as a constitutional law, at least under most supreme courts, because it unbalanced the arrangements established in the Constitution for the balance between the legislative and the executive branches. Aside from being unconstitutional, dumping the USAID is unwise because the agency gains friends overseas and is an adjunct to the State Department and the Defense Department. Piling up chaotic firings is also open to impeachment because dismembering the executive is so great an affront that itg ios in  itself a ground for impeachment in that the President’s job is to faithfully steward the government. That also applies to the wholesale firing of people in the Department of Justice, quite aside from that particular set of firings undermines the independence of justice, another impeachable offense by politicizing the judicial process, as became clear in the Eric Adams case where there was a policy consideration traded for dismissing the Justice Departm ent’s charges against him.

Most egregious of all is Trump allowing Elon Musk to wander around into the most sensitive issues in the Treasury and Defense Departments. Musk has access to the Social Security payment system and has not said what he wants to do with that information. Will he reduce a percent or the whole of Social Security checks that have been sent unfailingly and effectively and efficiently since the first checks were issued in  1940? That would not only be illegal. It would violate what is sensed as a claim on the full  faith and credit of the United States, just like the dollar, and so also an impeachable offense. That remedy should be quickly applied so that it is not destroyed before it is remedied. At the least, Congress can demand Musk appear before congress to explain what he is doing, the claim that he is just a technical advisor to the White House clearly a subterfuge in that up to a week ago he claimed to be running DOGE.  

The impeachment is our final legal recourse for unseating a President. We have learned that the judicial system is too clumsy and burdensome a method in that it was not able to get to trial either the insurrection case, the stolen documents case and the Georgia case to interfere with the 2020 vote, all of them in the four years since the events happened. The Supreme Court can not be expected to uphol;d constitutional law because the majority, all men, are tainted by corruption, covering up corruption, or having lied during their confirmation hearings that Roe v Wade was settled law without adding that they would overthrow it anyway. The Congress is the final bulwark of the Constitution and even its Conservative members are likely to endorse an impeachment when, finally, public opinion shifts against Trump because of any attempt to reduce or alter Social Security payments without Congressional authorization. Some Senators are chafing at Trump preferring Putin to Zelenskyy and a legitimate impeachment offense is to change basic and long timer foreign policies, such as claiming Canada as a state or arbitrarily taking the Panama Canal. Policy matters, such as dismantling NATO, are also impeachable issues.They are being done without legislative consultation and so interferes with the ability of only the Congress to declare war.

Act in haste rather than try to rebuild the American constitutional structure should you be able to when Trump leaves the scene.

A Short Post on DEI

Diversity, Equality and Inclusion are the watchwords and collectively the name of programs dedicated to fighting for allowing members of minority communities, such as Blacks, women and LGBTQ+, to be respected and get a fair shake in universities, workplaces and other organizations. I think they are somewhat overbearing in that they savor the thought police out to badger and threaten people into changing their ideas. Trump and his supporters are outraged at these programs and want to eliminate them particularly in the military, however worthwhi;le it was for those programs to have eased the integration of Blacks and women into the military and that malignant attitudes can arise again, as when gerrymandering and unequal voting conditions in the South arose again when  the preclearance of voting rights in the 1964 Voting Rights Act was suspended ten years ago. Moreover, I think that talk of white supremacy or inherent white bias seems to me a bad way to conceptualize the current racial and gender assignments. Better to use the idea of prejudice, which means feeling disparagingly about minority groups, and the idea of discrimination, which means laws and regulations that bar or set quotas for minority members, to remain the most accurate way to describe minority conditions. They are objective and measurable. A study in New Jersey in the Fifties showed that people said they wouldn't mind Blacks buying a house in their neighborhood but that their neighbors wouldn’t like it. 

But the issue remains whether DEI programs are pernicious or not. Do they invoke Critical Race Theory or Project 1619 which say that racism is in the heart of America? Or is it more salutary, by emphasizing how everybody should work to be aware of their shortcomings as human  beings, just as Jesus suggested? It turned out that it was very difficult to get an answer to that question. Organizations devoted to spreading DEI were notoriously vague and anodyne about what specific points of view they were expressing. Brochures promoting DEI curricula say that participants should engage in “tough conversations”. What does that mean? That there is “white supremacy” in the United States? That the United States is deep down anti-Semitic? Such brochures also say they encourage mentorship, which seems a laudable aim until you realize it might mean only Black mentors for Black students. Is that a good idea? Or only Jewish or Asian mentors for people of their races? That seems exclusion rather than inclusion and does not foster getting along with other kinds of people. Couldn’t it be that the specifics are too controversial to be named?

I ran across such an event of intimidation thirty years ago when a lawyer for the university administration came to address the assembled faculty members on female harassment. He said people should use their common sense to address whether an interaction was beyond the bounds. Clearly, he gave this talk so as to cover the university should it be sued. I raised my hand and asked whether kissing the wife of a faculty member at the end of a dinner party was acceptable. Let’s be concrete. He said I should be discrete, which was hardly commonsensical. The leading Feminist in the faculty emphasized my point by saying there are more serious things to deal with, such as female work discrimination and sexual assault. But  vagueness prevailed, is the coin of the realm, as when Sen. Gillibrand speaking to a Democratic National Convention said that a woman can tell the difference between a pat on the ass and a sexual assault, and a few years later got Al Franken to resign from the Senate because of a picture of him faking a grope of an actress playing her part. Imprecision is dangerous.