The Politics of The Pandemic

One of the lasting aspects of the coronavirus pandemic will be watching President Donald Trump standing in the White House Briefing Room holding two hour press conferences in which he delivers a mixture of buffoonery, wrong information, platitudes, and self serving rhetoric while yielding to health experts who then contradict what he has just said and can get away with it however polite they are being, keeping up the fiction and the reality of demural to the commander in chief. Fauci says weeks ago that what the President said about opening up the country by Easter was “aspirational”, while what Fauci said himself had to be based on science, and the President apparently liked that formulation, saying he was indeed aspirational and more that he was a “cheerleader” for the nation and so not a person who emphasized bad news, and so admitting out of his own mouth what he really thinks, which he is prone to do, which is that he lies to the American people. Hardly Churchillian. This practice of the experts diverting from what the President standing behind them had just said may be why the Wall Street Journal asks him to leave the press conferences in the hands of the experts because the press conferences are not winning him any votes, but the President is a showman and so unlikely to voluntarily leave the stage.

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Art Moderne Architecture

Rockefeller Center is a remarkable and lasting achievement. It is monumental without the coldness of the International Style that would in the Sixties come to dominate architecture, much less the Brutalist Style that dominated the Eighties and Nineties, much less the grandiloquent style of the decades after that, or the present Postmodern style which has bits of buildings glued onto one another as if we were living in a humongous Dickens neighborhood. What is it that made Rockefeller Center such a wonderful thing? It was, I suggest, its formal features rather than its relation to the public, which was ballyhooed at the time by the claim that the Radio City Music Hall was a “palace for the people”.

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The Civil Rights Movement

Every social movement can be thought of as either a reflection of or an intervention into a set of changing social circumstances. The Civil Rights Movement reflected the fact that the South was industrializing after World War II and so the South had to make room for a free labor market. The Civil Rights Movement also intervened to change the hearts and minds of whites in the South so that formal social segregation might be abolished. This question of whether a social movement is a reflection or an intervention is not simply the empirical one of deciding whether the movement or changed circumstances came first. Attitudes might start to change before the Civil Rights Movement made a change in attitude into a goal, and changes in legislation may indeed have been crucial in structuring a labor market already undergoing alteration. The question is a theoretical one in that it requires a re-conceptualization of the forces that might serve as either causes or effects. The idea of intervention has to be expanded to include the dynamics by which a movement defines its own purposes.

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Clips from World War II

Perhaps to distract me from the coronavirus pandemic, I have been watching numerous clips on YouTube about World War II: newsreels from both British and German sources on dogfights and artillery, on ruins and the occupation of towns, on ceremonial occasions, such as V-E Day, as well as excerpts from the musicals made in Nazi Germany well into the war, the last one I could find a production number with loads of chorus boys in top hats and tails leading the very elegantly gowned Marika Rokk around a dance floor. That one, “The Woman of My Dreams”, was released in August of 1944, at the same time that Paris was liberated, the war already clearly lost by the Germans.

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Accepting the Inevitable

How do people come to accept the inevitable, such as the fact that they will die, or that a girl they love doesn't love them, or that they will never achieve a lifelong ambition? The answer requires specifying what is meant by the inevitable. Some things, like gravity, are clearly inevitable and nobody tries to rescind Newton. In fact, philosophers might say that laws of nature are not things that can be described by such words as “inevitable” or “avoidable” or “preferable” or any other adjectives that include within them the idea of volition. Then there are practices that are clearly not inevitable and, in fact, are --inevitably-- the result of choice, as when consumers choose one brand of detergent over another, however much advertisers will try to condition consumers to choose one brand rather than another. Indeed, in our time consumer choices seems the most essential aspect of human freedom, citizens of both democratic and authoritarian nations having to make multiple choices every day, what they do in the supermarket less constrained, more an expression of the ability to be arbitrary and decide based on taste, than in any other part of their lives, where they know what their obligations are to family and job. Indeed, for a long time, voting, which is supposed to be the final point of choice in a democracy, the election not over until the voters have spoken after they have made up their minds on the way to the voting booth, was also understood as a kind of consumer choice, voters preferring a particular brand of candidate depending on the demographics of the voter, that point modified in recent years to mean that voters will follow their fancies and vote for the candidate that for the moment seems most appealing. Nothing inevitable about that. And then there are matters about which it is uncertain whether to declare an outcome or a choice inevitable or not. So not just peasant people believe that a person to whom one has been married for a considerable period of time was fated for you, was an inevitable choice despite the circumstances that led to make that person a reasonable choice at the time, both psychologically and socially, because so much of your life since then has been framed and impacted by that choice that one does not care to consider that it was not inevitable that you would wind up with this spouse. It was up there, written in the stars, like gravity.

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The Poor Suffer More

When I taught sociology of disasters, which covered everything from the Black Plague to Chernobyl, my students insisted that disasters were times that brought people together in a cooperative spirit. That is what the media would like you to believe, showing anecdotes to that effect so as to calm down the population, but it is the opposite of what usually happens, which is that disasters intensify whatever are already the lines of conflict in a society. The rich become richer; the poor suffer more. And political conflicts grow worse.

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The Nature of American Painting

National traditions of art in the West have the same subject matters. There are landscapes and seascapes, portraits, battle scenes, disasters. apocalyptic and utopian imaginings. This differs from Chinese art, for example, which emphasizes landscapes and seascapes, and also from Arab art, which neglects the human figure. The Western national traditions are distinct, however, in that each has its own themes and its own artistic resources, and so a Dutch Golden Age portrait looks different from, let us say, a Nineteenth Century American portrait. A Vermeer would not be confused with an Eakins, and not just because of the way people are dressed or the settings in which they are placed. Vermeer gives his models a quiet grace that is emphasized by his subtle colors while Eakins makes his people impressive because of their carriage and the solemn colors in which they are painted.

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The Origins of Romance- III

Scholars have found other times and places to set the origin of romance than at the dawn of civilization. Each of these theories has a certain attraction because each does capture certain aspects of the experience. But none of the alternative theories explain why full blown romance appears by the time I have suggested, which is with Samson and Delilah. The theories for a later time of origin, rather, are add ons in that new features are included in the basic formula for romance, which is dedication, even beyond self-interest, to the emotional needs of the partner, as that is associated with the exchange of sexual favors. Moreover, all the theories have to deal with the problem of how to relate cultural changes to structural changes, which means what actually happens in social life.

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The Coronavirus Pandemic

A disaster occurs when the public resources set aside to deal with any upending of social life prove insufficient to deal with the extent of the insult to the social structure. That makes a real disaster different from what might be called a local disaster, such as the forest fire that consumed Paradise, California, because that was very restricted, there not being enough fire engines to save the houses in the area, but also because local forest fires are already baked into the social structure of California in that people buy a lot of insurance and are not surprised if they have to move from one abode to another in the wake of a fire that burns up parts of the Oakland Hills. Also to be distinguished from a true disaster is what might be considered the collective tragedies regarded as just part of ordinary life, as the fact that tens of thousands of people die every year from influenza, hospitals and morgues and funeral parlors prepared to deal with the influx and processing of victims. And then there were the people who died during summer heat waves in cities because of the lack of air conditioning, that absence not considered a failure of public services to intervene in what was a public health emergency.

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Roth's "The Plot Against America"

I have seen the first episode of HBO’s film version of Phillip Roth’s novel “The Plot Against America”. It is presented as a shocking tale of what might happen to Jews if Charles Lindbergh had been elected President of the United States in 1940. It is a dystopian vision that concentrates on dread and foreboding and does a lot of plot exposition while Roth tells a crisper tale that hinges on what is the difference between illusion and reality. Philip Roth must be laughing in his grave. He fooled the clucks one more time. They didn’t see the irony in his telling of his story, however adept he was at constructing a plausible story of the details of what would happen under and to a Lindbergh Administration. He was pointing out that America would come to the aid of its Jews rather than victimize them if a Nazi sympathizer came to power. So I am posting most of the review I did of the novel back in 2005, soon after the novel came out, for those who want an accurate account of what Roth was up to. (Beware. There are spoilers therein.)

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The March Democratic Debate

The idea of “The Loyal Opposition” emerged in early parliamentary government. It meant that whatever the issues that divided the major parties, whether that was based on their different class interests or ideologies, both of those holding for Tories and Whigs and Labor in Great Britain, the parties would come together in some national emergency in the interests of the nation, to which all parties felt themselves loyal. That certainly played itself out in World War II when Clement Attlee, the leader of the Labor Party, took up his role as the Deputy Prime Minister in Churchill’s Government of National Unity, even though it was clear that Churchill was calling the shots. The same thing happened in the United States during World War II. Frank Knox, a former Republican Vice-Presidential nominee, took over as Secretary of the Navy in the FDR administration, and Henry Stimson, a long time Republican Party stalwart, who had been Secretary of State under Hoover, became Secretary of War, which meant the civilian in charge of the army and air force. The two managed production and procurement and manpower for the armed services, although it was clear that FDR reserved grand strategy to himself. Other issues than warfare are regarded as ones about which men of good will can disagree and that they do so should not prevent any of them from being considered people with the best interests of the nation at heart.

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Drawing

Drawing, as an art form, is somewhat like silent movies or black and white movies in that they call attention to their artiface until they have established themselves well enough in your mind so that a drawing can be appreciated in its own terms, as a full blown kind of art. In the case of silent and black and white movies, these limitations are imposed by the limitations of the technology of that time, it taking a while for sound and then color, a mere ten or fifteen years later than color, to come to the movies. But even during the silent era, where films were interrupted by dialogue cards that had to keep talk clear and crisp, film had already developed most of its techniques: close, medium and long shots; novelistic story lines that combined public events with private life; deep investigation of character; angle shots so that railroad trains moved from upper right to disappear lower left; and so on. The audience adjusting its expectations of verisimilitude so that it could engage with very delightful stories, just as happened when audiences accepted the richly textured black and white of film noir so as to enhance its eerie and emotionally dark qualities, forgetting that it needed to be black and white after all, regardless of the mood conveyed, even though black and white musicals had been aglow with the lights and elaborate costumes designed for how they would look in black and white. The limitations of the technology did not seem so harmful that some directors, including Woody Allen, preferred to make their early films in black and white, to work under its limitations, rather than risk getting color wrong before they were ready to do it that way.

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The Second Super Tuesday

The results of Tuesday’ selection, what with clear victories for Joe Biden in Mississippi, Missouri and Michigan, led James Carville to say that the Democratic Party had decided to move on from contesting who would be the nominee to opening the general election campaign against Trump. The Democrats had settled on their candidate. The end, to all intents and purposes, of the primary season, gives time to pause to consider the shock that was delivered to the political system by the fortunes of some of its contenders. Elizabeth Warren did not get many votes, She had about eight percent of the male vote in North Carolina, and even if you doubled that so that her female vote was 16%, that means she just wasn’t a popular candidate, regardless of gender. That may be because her policies were not all that attractive, or it may be because the electorate will not abide a woman candidate. Warren herself said that if you say that sexism played a part in her political race, you will be considered a whiner, but the truth of the matter is that the American people, male and female, just don’t accept the idea of a woman President. A woman in that role just does not sit well with them.

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The Origins of Romance- II

So as to show that romance is a historical concept that was born at the dawn of recorded history, refer to the documents in the Hebraic tradition. It might seem, in fact, that the earliest stories in “Genesis” were already devoted to this notion of romance. Remember that in the creation story, God creates Adam to be on his own even though he would soon create the other animals with their mates and only then does He decide that Adam is alone and so needs a companion. Why had that not occurred to God in the first place? Perhaps because Adam was supposed to be a figure who got to rule over the animal kingdom without being a member of it in other respects. But God changes his mind because Adam seems lonely, which is a spiritual state. Adam needs someone to cling to, or as the Bible puts it, to “cleave” to, and that is as full a definition of romance as one needs, even if “Genesis” is, as usual, notorious for its brevity. So move on in the Bible.

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Super Tuesday

The past week in national political events has been satisfying to me because it put my candidate, Joe Biden, back in the race, and I saw the week before last that something like this was necessary-- either a Biden resurgence or a Bloomberg surge-- so that Sanders would not run off with the nomination because and I thought, as apparently did so many other people, that Sanders was the candidate most likely to be defeated by Trump. Most voters, I think, are not like me, who will support anyone but Trump, but will instead settle for the known evil rather than what they suspect to be the worse evil of a Democratic Socialist. Now we will see what happens with Biden. The week has also been satisfying because it provided a splendid example of political drama, something that happens more often than we might expect because the forces that make it a drama are arranged fortuitously rather than by the hand of a playwright. This political drama brought together engaging and distinctive personalities, noble rhetoric, a clash over issues and constituencies as well as personalities, all occurring, mostly in public view, in the course of a brief period of time that allowed for plot complications as well as for the reversal of expectations. Playwrights should do as well, and certainly Shakespeare did in “Julius Caesar'' and Oscar Wilde did in “An Ideal Husband”.

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Theatricality in Jane Austen's "Emma"

Being “theatrical” means summing up plot or character with a single gesture so that the audience can take it in and move on. That happens throughout Broadway musicals and is epitomized by Bert Lahr saying that a doctor’s office sketch should not begin with a long exposition of the motivations for being there but with the simple line “Here we are in the doctor's office”. The price of such brevity is that there is no development through dialogue and action of the mood and the circumstances that justify the situation that is to be unfolded through subsequent dialogue and activity. Irving Thalberg is supposed to have told a screenwriter that you don’t need ten pages of dialogue to establish that a man and his wife are not getting along; just show her giving him a glare when he gives a look at a pretty young woman getting out of an elevator the three of them have shared. Thalberg was praising theatricality but that doesn’t do justice to the drama of a situation, where there is an explanation of how people became embedded in their situations, that regarded as something of significant interest, that ten pages of dialogue about a couple on the rocks telling something about this particular relationship and about such relationships in general. Drama has to do with an appreciation of the nature of a conflict while theatricality simply reveals and maybe not very well that the conflict exists. I am thinking of the original production of John Osborne’s “Look Back in Anger” on Broadway in the Fifties. The first act opens with a woman in a slip ironing her boyfriend's shirt. The second act opens with a new girlfriend also standing in her slip at the ironing board. The audience laughed. They got the joke and the revelation that the girlfriend got treated the same way whomever she was. That was the heart of the drama and it was offered up with great theatricality.

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Living in the Past

A number of old fogies, including me, were lined up in front of the steam tables at a Chicago cafeteria (“Mannie’s”, for those of you in the know) a few days ago when the first guy on the line, an old, thin, stooped, Black dude with very few teeth, started inquiring about what was in stuffed derma and what was the difference between corned beef and pastrami, apologizing to the rest of us for making us wait, we returning the good humor by remarking that we were all old and retired and so had nothing else to do but kill time. I, on the other hand, was listening with my inner ear to the counterman, wondering whether he would say something condescending or dismissive to the old black man. Would he act as if the customer should have known what the different products were? Would he be annoyed that the oldster was holding up the line? No, he just described the cuisine in a chatty and goodhumored manner. I, however, was looking to hear something from fifty years ago, which would then have been seen as an expression of prejudice and would today be called an example of “microaggression”. That places me. I am still conscious of the feelings I had at the time of the Civil Rights Movement and so the lack of hostility by the counterman was a sign of how far we had all come even if I could not get over noticing how far we had come.

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The Origins of Romance-I

Romance is when a person regards a sexual partner or a prospective sexual partner with a fascination that renders any number of aspects of the person—the way a woman poses her head, the way a man strides across a room—as so engaging that the lover wants to remain in the company of the beloved for a very long time— or as it is put in the exaggerated rhetoric of romance, “forever”. This engagement with another person licenses the lover to attribute to the beloved any number of positive qualities such as loyalty, attraction, compassion, intelligence and so on, though it also licenses the lover to recognize the failings of a lover— his or her meanness or anger or duplicity-- without necessarily breaking the bond that ties them together emotionally and may simply mean that a lover understands that his or her beloved is a termagant or a bully or a nag or distracted. Love does not mean the forgiveness of all, only the acceptance of all, love being a way to think that the intensity of sexual passion is a window into the soul of the beloved.

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The Nevada Debate

Yes, the Democratic debate last night was certainly a food fight and the candidates had nothing new to say for themselves. The candidates are also getting a little testy out there. But the debate was illuminating nonetheless and pointed a way forwards. Joe Biden gave a very solid performance. He clearly laid out a tax package that made sense, more so than any of the others, and even though no one bothers to mention that Warren's wealth tax is unconstitutional. Biden has to do well in South Carolina and then the media, who are very fickle, and are at the moment conceding the race to Bernie, who they found to have a lot of integrity until it seemed possible he might actually triumph as the nominee and surely to be beaten by Trump, may will come to recoil from Bernie and reconsider the Veep. Mayor Mike had a worse night than was even expected and did not come up with answers to questions he knew he would face. When Elizabeth asked him to release women from their NDA's, he should have said NDAs are not a bad thing and that the #metoo movement had in fact thought women should get training in negotiating them. So where did Elizabeth stand on that? Bloomberg should also have said that Stop and Frisk was a policy supported by many Black politicians because it was a way of protecting little Black girls from being killed by random or drive-by shooters. For some reason or other, New York City Mayors, like Lindsay and Guiliani, never make it in national politics. Mayor LaGuardia became Mayor after serving as an influential Congressman in Washington.

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Canadian Art

All nations are artificial constructions in that it was a series of deliberate events that went into each of their creations. Great Britain was created after many a battle, including those to unify Mercia, Wessex and Northumbria, these battles not ceasing until the Battle of Culloden, in 1745, and the question of Scottish independence still looms for a post-Brexit Great Britain. The United States assumed its now “natural” shape after a period of self declared Manifest Destiny which enabled it to create a continental sized nation, its parts, whether the dividing line is drawn between North and South or coastal and interior, still not having found ways to overcome their differences. Nations may claim to be united by a language or an ethnicity or a point of view, but their nationhood never ceases to be a hard sell. Ask the Yugoslavians.

So it is no surprise to think that Canada is an artificial nation, pieced together from French and British colonies, ninety percent of its population living within a hundred miles of the American border, very culturally and economically dependant on the United States, and bound to have become part of the American Union if Benedict Arnold had had some better luck. There are many explanations for why Canada was able to forge a distinctive identity for itself, one that was not a part of the American identity. Some say it was because of the building of the Canadian Pacific Railroad, which tied the country together east to west and so avoided the pull across the border, though that is hard to say because Alberta cowboys have more in common with the Wild West than with their Toronto co-citizens. Some would say it is because of the distinctive institutions Canadians set up, such as a cabinet system responsible to Parliament, or a national health insurance plan, even though these institutions are shared by all or most Western societies. It is also difficult to explain a Canadian identity because the settlement pattern of immigrant ethnic groups from Western and then Eastern Europe (Scots and Irish and Brits and then Italians and Slavs and Jews) was the same in Canada and in the United States; it was just that more Europeans went to the United States, and Canadians still just can’t believe that they did so because the weather was better further south.

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