The Trump-Harris Debate

It is still a horserace.

The bottom line on the debate is that it is contentless even if consequential. Famously, in the first televised presidential debate, radio listeners thought Nixon “won”, whatever that means other than making some memorable pointed remarks lacking in  the opponent, while Kennedy was thought by the public to win maybe because of his teeth and smile while Nixon had five o'clock shadow. The debates contest appearances and so people decide they disdain Kamala’s laugh because that has become a Republican talking point. Moreover, we know alot about the candidates. Trump is mean and gruff and garbled and accept or like that for him, a strong man who voters may not have the gumption to express themselves while Kamala is a centrist left Democrat who moved more centrist this time than she was four years ago when the general rhetoric was more leftist even though Biden’s definitely New Deal leanings, pure FDR, was successful economically and overcame Covid. Saying the economy is the real issue is just a way of offering a respectable reason  for liking the Trump style. So why bother having the debate at all?

Well, the debate could provide dramatic surprises and that is what it delivered. And so the debate should satisfy as the real deal the broadcast and cablecast news organizations were hawking for a week now.Trump had to meet a low bar. All he had to do was sound coherent and a bit less mean while Harris, the old prosecutor, had to nail him on the wall to seem victorious. When I saw the debate, I decided that Harris began nervous but settled down and was fine at delivering her impassioned speech on abortion, but she failed to deny Trump’s charge that immigrants were being loosed from prisons and insane asylums, perhaps because so she would not seem to be protecting or defending undocumented aliens. In my view, the debate came down to being parallel stump speeches, each one offering their own slogans and myself amazed that Trump just goes on lying, like immigrants eating house pets. It was a largely useless exercise, I thought, that wouldn’t switch voters. People like the patter of the one they support.

But CNN  commentators thought differently, that Harris clobbered Trump, baiting him into saying stupid and racist remarks or having no answer to why he hasn’t offered a plan to replace Obamacare for the many years since Obama proposed it. The Times thought Trump was made small while Kamala went high. But if you discount his lies, Kamala doesn’t win by exposing them and, following J. D. Vance, it doesn’t matter if Haitians are eating cats, only that immigrants are disrupting American life. What still matters is comparing cheerfulness to meanness, and that is up to the voters. PBS,  the NY Times and the New Yorker mostly said the same thing. 

My take was different. Trying to expand the MAGAS would probably lose but  in a close thing. Trump was baited into saying what Harris wanted him to say, but Trump said what he wanted to say anyway: to be mean and vague and full of lies. His supporters want him to say these things even if MAGA commentators want him to dwell on issues. Why should he? He wins for his followers even if it loses the undecided, that very small figure who actually have not made up their minds about the differences. Trump has to gain more MAGAS to show up to vote, not win the undecided. In that case, he would probably lose but in a close vote. For Harris to really have a resounding victory, to win substantial numbers of MAGAS to her side, she would have required shaming him or getting him to stumble, which he did not do. He told his lies and exaggerations and did not linger on his self praise and grievances and so did not hurt himself unless people were ready to give up on him. The article yesterday in the NY Times by Peters, Healy and Robertson got it right, I think,  were close to the mark by pointing out that undecideds remained undecided which meant, to me, that uninformed people, and especially MAGAS, would vote for Trump whatever the debate results.

A debate is like a stage play and not just because it has revealing dialogue that is constrained in time and space, and in this case, as I claim, where the two sides were talking past one another. It is also dramatic because the audience makes sense of the drama, what is to be taken from the dialogue or excuse for one, out of the content and the exchanges. Playwrights improve a project by trying out audiences as to what makes an impact and will change a play so that it will resonate with real playgoers so that what happens on the strange is not elusive or obscure. They have to get it. Voters are even  less discerning playgoers. They are not schooled in political science or even standard historical references or particularly verbally astute. They just dip in late in the election year into politics and are expected to make a judgment on the candidates even though focus group members just after the debate the other night had difficulty articulating why they liked or didn‘t like one or the other candidate. The voters are amateurs with only passing interest in the subject matter and their specialized languages but they are supposed to be the wisdom of the Republic. Well, not really. People get to vote not because of their education or investment in the nation or even just because voting is an alternative to civil unrest. It is a procedure for transferring power and the Founding Fathers thought that a republic required only that a populace was virtuous, which meant that it could make obvious distinctions between right and wrong. The present election is obvious and we hope the Founding Fathers were right and the American people remain virtuous.

"Showboat" Melancholy

Life, like show business, puts you in the spotlight before making you miserable.

It is easy enough to think why the Mozart-Da Ponte triptych should be included in the Western literary canon because the three operas expand the consciousness so as to include women. “Don Giovani” shows that women are not to be trifled with; “The Marriage of Figaro” shows that other than aristocrats can create an independent family; “Cosi Fan Tutte” shows that women are onto men even if they do not admit it. It is harder, however, to include any American musical comedies into the canon because the plots are so mannered, so artificial, and so without depth or resonance despite the attractive tunes. “Pal Joey” and “Cabaret” are too pointedly cynical while “Fiddler on the Roof” and Rodgers and Hammerstein are too sentimental to meet literary muster even if  Billy Wilder does turn the trick even if he is cynical because he adds suspense to “Double Indemnity”, poignancy to “Ace in the Hole” and vaudeville slapstick to “Some Like It Hot”.

A candidate for entering the literary-cultural canon is “Showboat”, the Kern, Hammerstein and Ferber collaboration, which was introduced in the Twenties and was radical at the time because the play was sympathetic to miscegenation and treating blacks as fully formed figures while Jim Crow was at its height. There are artistic shortcomings in the musical comedy. That include lyrics that don’t fit the metrical line and a telegraphed plot line in that riverboat gamblers are not likely to be trusty breadwinners whatever their charm and personal rectitude. But the themes  of the show, which go beyond the political to the existential, are strong enough to give the world it creates plausible, ingratiating and even deep. The only comparison worth considering is Lerner and Lowe’s “My Fair Lady” which owes so much to the today underappreciated George Bernard Shaw who also offered a way of life, the Edwardian aristocracy and its low class counterparts, flower girls and shiftless cockneys, as well as distinguishable characters and a political agenda for female emancipation that goes to the heart of male-female relationships, still not fully plumbed a century after Shaw and a half century after Lerner and Lowe.

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How People Vote

Politics is character.

Kamala Harris continues to unroll her campaign, so far, without a hitch. She does so by providing a warm, and welcoming presence rather than a set of issues to run on. She extends Biden’s efficient and humane program of greater entitlements and a new  Democratic Congress would restore both voting rights and abortion rights, both of which Biden supports. But what she mainly sells is her presence and so she takes credit for taking charge and propelling her campaign to a growing lead over Trump, all due credit to be mentioned for the experienced people she put in charge of the campaign. I am amazed at her political touch and so it is understandable that policies aren’t central. They aren’t necessary, however much it may be that pro abortion voters might be the difference in the November election. 

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Three Kinds of Miracle

Three Kinds of Miracle


There is the miracle of change, the miracle of possibility, and the miracle of serenity.


Bert Erdman says that theologians can say whatever they want regardless of facts while a historian of biblical history lille himself are disciplined in that they can only point out to what texts say and compare them to one another so as to arrive at an accurate historical narrative and so can  conclude that Jesus never said He was God. THat point of view is too harsh on theologians. What they offer are explanations that make sense, which means can be expressed in words and internally consistent about supernal things, like the Trinity or the Resurrection. But these exercises in theology can do even more.Theological terms and distinctions addressed to explaining God and religion can be turned into philosophy in that tey apply to distinctions in the nature of existence, which is the realm of metaphysics. 


A good example of the transition from theology to metaphysics are the proofs of the existence of God that are exhibited by St. Thomas. They may fail as proofs but the devices each do catch a feature of what it is to be. Aquinas says that existence is better than non-existence and that means God exists because that is the preferred state and God is whatever is best. Revealing the fallacy of that argument allows considerations of the nature of existence. Not all attributes are scalar and so being existent is not better than being non-existent, just a different stage. Moreover, even things that are scaler need not mean there is a best or most. Yes, there is an absolute zero for temperature but there is no such thing as the hottest or that there is a most perfect and therefore best beauty. There are different kinds of beauty. The idea that grecian urn is the most perfect form is conventional rather than necessary. So Aquinas’s failures advance metaphysics.


Another valuable example of a theological controversy that can be generalized into a description of metaphysics, which is the study of being for itself, is available in the three interpretations that are offered for miracles, which is clearly a feature of religion, the experience of it made meaningful by finding words to describe it. The first and most ordinary description of miracles is that these are events which violate nature. These include the parting of the Red Sea and the Resurrection. (The communion in the  Catholic Mass is not strictly a miracle even though the claim is that bread and wine are transformed into flesh and blood because there is no claim that the transformation is at all visible, as the claim of the named miracles are, but shrouded in words so that the altered states are different in name or in essence rather than in reality.) It is no use to say the Israelites crossed over the Sea of Reeds and so was a natural event because if that were the case it was no longer a miracle in this meaning of “miracle”. 


Such an explanation away from a miracle that violates nature would put it into the second category of miracle which is a term used, which is that a miracle is any event so earth shatteringly significant that it is not divinely inspired or created and so the change just had to be because a person could not imagine a world where that event did not come to be. So people quite appropriately speak of the birth of a baby or finding your true love as a miracle because you can no longer imagine having had a life without them, life before that chaos or a limbo without enlightenment, accidents rather than necessities. Here, in this second case, there is no violation of nature, just the sense that the past was coincidental while the miraculous event was necessary. You are fated to meet your spouse because it is so important that you cannot treat it as coincidental. A miracle is whatever is singularly or collectively important, whether or not the Red Sea was divided and that created flounders. It was just absolutely necessary that it happened.


A third and viable meaning for miracle that is even further removed from a violation of nature is a subjective evaluation about how the processes of nature as well as of the supernatural are so awesome as to make oneself in the presence of a God-like power. Looking at the sunset creates a feeling of beauty even if you learn it is the result of a lot of soot in the sky. It is overwhelming as well in scope.Scientists can be awed at the immensity of the universe or the intricacies of biological evolution, people insignificant next to those immensities, just as people are  awed by the overly large structures of skyscrapers or the plans Hitler had for a newly built Berlin after the war was successfully completed. That is so even if the awesome things are also cringeworthy, as is  the case with a world of pterodactyls many ages ago without the presence of people or even most mammals. Babies and puppies are also awesome, perhaps because they are fragile rather than enormous and so it is very lucky to have them and so think they could not be  lucky, which makes this third kind of miracle into examples of the second type, all three types sharing a familiarity of necessary specialness. 


The third kind of miracle can create an ambivalent response. Spinoza was considered God intoxicated because he had what he considered his identification  with the all of everything because that is just the intensification of an experience of all that is, including both the natural and the conceptual realms. But Spinoza can also be considered as an atheist in that he redefined terms so that God is the name for everything and can’t make choices and that ethics is reduced into psychology. So modern day scientists can be in awe of the immensity of space or the intricacies of biology and call that religious and treat science as the how rather than the why or else say, following others, there is no need for the God hypothesis. There is no why, only how.


A theological definition of three kinds of miracles can be generalized so as to describe three kinds of a property of existence, which is the concept of cause, which is about how and what happens when things change. A first definition of cause is parallel to the idea that a miracle intervenes or violates nature. In this case, a cause is whatever it is that can disrupt or give resistance to what already exists. You push a boulder up the mountain; you finagle an  internal combustion engine so you can speed at eighty miles an hour; you insist your colleagues are all wrong in the way the committee should proceed. In that sense, cause is told in the form of a story because stories involve people doing something to change an initial condition, such as the placement of Claudius on the throne when,. Perhaps, Hamlet would be thought the rightful heir since he was son of the king and been superseded because he was away at Wittenberg and has now returned to Denmark. What is to be done with him  or by him? Some plays are said to have n o action that changes things but Ibsenism shows that from Chekov and Shaw, activities in plays can change a mood. Eliza not only has become able to act like an aristocrat; she is able to verbally battle with Higgins as an equal person. If there is nothing to overcome, there is no cause.


That  causation is regarded as a miracle in the ordinary sense that comes about in that it is problematic, events occurring within time to change from one state to another. How is it that one moment is connected to the next, the first transformed into the latter? That is the mystery of time. Malebranche, the underappreciated Seventeenth Century Catholic theologian and philosopher, solved the problem by asserting that every moment was a miracle in that God intervened agt every moment to make the next thing happen. Rather than desacralizing nature, miracles are available if you understand them right. That allows all people to feel serene, because every moment is guided even if free just as any scientist will say that people are free because they are in accord with the laws that in this special sense that they need not be enforced to be real. 


A particular kind of cause of this first type, as change, is the phenomenon of a trial, where people are found responsible for the consequences of their actions in the past and so as to include anticipated actions, such as planning a crime, because that is also an action if a person has planned with confederates to do a bank robbery. This kind of cause is, however, very specialized, in that only people can be ascribed to having been the cause of a crime because criminal justice is out to blame people for not having acted properly rather than the crime being the result of a defective brain or what is called acts of God. So a trial eliminates all  the forces or conditions not relevant for a person's intention . You may have had a weak septum but only the punch in the nose is considered as an impact that caused  the crime. Only people can be blameworthy while biology is a natural process and not a person. That people die is natural, while a mistake in surgery is subject to a suit.


The second kind of miracle, which is a consequence that is momentous, can be generalized into a meaning for cause, which is that some events will be more likely than  others to play a significant role in the future. So a butterfly can cause a catastrophe, but a hurricane is more likely. The idea of probability does not depend on contemporary elaborations of inferential statistics, but has always been with people. They knew the sun  would set but, unlike Bertrand  Russell’s chicken, who did not know it would be sacrificed in  the morning when the sun came up, people do wonder at how regular were natural and celestial cycles and so built Stonehenge and calendars to chart the miraculous ways they repeated rather than were unreliable.and  that they would face the cold of winter without knowing how harsh it might be and appealed to the gods to intervene to make the winter more mild, and that one species was likely to be more dangerous than another if approached by a human. People, one can presume, the likelihood of whether an approaching stranger is a danger and lessens or intensifies distrust on the basis of telling signs, such as one's tattoos or the person’s gestures, it always, nonetheless, that you can’t be certain even if you and he smoke the peace pipe. 


People are still amazed at possible momentous things and so speculate about whether storms are the sign of the Second Coming or that weather variations will lead to climatic catastrophes, and need to heed the warning that view events are really apocalyptic however much there is a chance of being killed on the highway during the drive home, or that you might find your wife has left home when you get home. There is no reason to think that we have all become less superstitious because we calculate better. To the contrary, the danger of momentous but statistical outcomes becomes more present and horrifying as we consider whether your medical testing  means you have a larger chance of getting prostate surgery or whether genetic testing shows your unborn child may  have abnormalities. The era of statistics increases uncertainty and so makes religious solace even more attractive than when intrusions might be made in life by witches and demons.


When possibility is the object of attention, it shows that the universe is not ordained and allows for choice. That is introduced into the inventory of reality and so free will is not a property of persons  but of existence, some mammals better or worse at engaging in it, thinking ahead. A dog knows when called to dinner that the bowl will become full and people  wonder whether they can  anticipate they will succeed at a task and reflect on the task as well as the separation between the anticipation of a task and its accomplishment.


The third definition of cause corresponds to the third definition of miracle, which is to stand back at the amazement of nature rather than resist it to notice its own probabilistic nature. That, in effect, is to negate the ordinary sense that cause means impact by reducing nature to formulas or other descriptions where nature is rule-like but does not intervene in nature but only describes it, magical formulas which provoke interventions now understood as descriptions alone. Invoking “F=MA” doesn’t accomplish anything, however profound the formula may be as the way the universe works. You can use physical or biological  forces but the words are only words, except in comic books, where “Shazam” turned a mere mortal into a superhero, however many superhero movies wish it were so. How a formula seems to guide nature and is said to be akin to the dictates of a lawgiver, a divine legislator, remains a mystery.


The three definitions of miracle can be applied to politics as well as to the idea of cause. The first view is that  not much changes in political life throughout the ages because it is always an uphill fight, overcoming resistance, so that a politician can grasp the brass ring of power. Politics hasn’t changed since David went from being the king’s courtier to becoming a rebel leader and then an overbearing king himself. What seems in retrospect seems inevitable, had to be accomplished through political and, in modern times, electoral mobilization. So people take the Federal Drug Administration to supervise the safety of their pharmaceuticals, but that had to be legislated into existence, and faced a contentious fight, as happened with the Affordable Care Act which was unpopular until it was in place for a few years and is regarded as necessary now by most vogters. What seems like it is stable, like Roe v. Wade, is not when people act against it just as what seems uncertain becomes certain, when people have the National Labor Relations Act in place as has been the case for ninety or so years. Indeed, Max Weber insisted on imaging charismatic or otherwise called singular figures as essential so as to overcome the entropy of custom and beau racracy. There had to be some first cause whereby politics could change and so the necessary job, the logical need for a compensating force to bring about change that would otherwise never happen, was the charismatic, a religious like invocation of a miraculous figure that every once in a while emerges to overcome the applecart, which is what politics, because there never was a time before politics that was not resistance, whether to overcome a Platonic city state imbued with loyalty replaced by a cosmopolitanism described by aristotle in  a generation or two, or an American Republic  so successful that we forget that the idea was at the time revolutionary.


The second type of miracle that applies to politics presents a very different view than is available as the ever ending struggle of politicians to change things. It is the idea that there are new political structures that come into place that are so formidable that all aspects of social life are overshadowed by them, however murky may be the origins of these structures, however much their designs become part of their national histories and are taught in schools at all levels of education. It seems remarkable and astonishing that the collection of people who made up the Founding Fathers were so perspicacious as to create their perpetual motion machine called the Constitution. It seems like a miracle no matter how much these people can be placed in their lives and circumstances and engaged in proposals and compromises before coming up with the document.  Democracy is another one of these large scale movements which came to dominate Western societies in the early Nineteenth Century and has sustained itself, encompassing Europe and North America and large parts of Asia, despite what might seem the cumbersome apparatus of arranging for reasonably legitimate elections and short terms of office, whereby royal regimes had long tenure and succession was most of the time assured, rueing the day when that secession was not clear. 


The possibility of a successful new alternative political formation that would have great consequence for governments and even the psyches of people was totalitarianism, which arose about a hundred years ago, but was vanquished by 1989, with the fall of the Soviet Union and where Russian government was replaced soon enough by authoritarianism, a very o;ld form of government,,where leaders only kill off their political rivals.Other social structures such as bureaucracy are very old, as old as the pyramids, as are also such social structures like professionalism, but there are also innovations, like cultic religions becoming congregation al at the time of Jesus and the rise of Protestantism, which insisted that miracles were accomplished in spiritual personal transformations rather than miracles, like confession or the Mass, however much the officiant was legitimately designated. So major political upheavals into new forms of social and political structures are uncertain of origin however profound their impact and people who bother can wonder how that could have come about. Just like being amazed at finding a spouse or a child especially in that people cling to the idea that whatever is has to be and so these developments are a rejection of politics as just the usual resistances.


The third way of understanding politics is applying the idea of standing back and experiencing political and social life as in accord with general principles, that is a substitute for it being individually or collectively motivated. There might be cycles which dominate, such as a circulation of elites, or more familiar to American politics, the idea that periods of innovation are replaced by periods of consolidation as when, again, Eisenhower accepted the New Deal, or when Jim Crow replaced Radical Republicanism. Or else there might be a secular trend whereby incrementally there grows up a greater suffrage or the extension of medical insurance so that it began  for the elderly and now is all but universal. Necessary social mechanisms are discovered, like regulated collective bargaining, though the guarantee of reliable and comprehensive voting frights has had a setback in recent years, while the ability to control; the business cycle has not found to be a satisfactory solution  in  that the Federal Reserve has only the crude device of changing interest rates up and down but has added quantitative easing into its repertoire. 


Some sociologists like Parsons rely less on season-like changes to see the patterns of social and political life. Instead, they try to abstract to the level of what are the inevitably necessary aspects of social life so that societies have to meet their perquisites one way or the other or else society will turn into chaos. This is very different from single factor theories which say that avoiding inflation is the main thing so that an economy will collapse and so will  the entire society, forgetting that there are many ways for a society to collapse: if it doesn’t maintain an  educational system or if it allows great ethnic unrest. And, anyway, stability is not the only way to describe a society, in that there is always its march towards inclusiveness and greater personal liberty.


Here is a reverse miracle in politics. While low information voters do not have to be conspiracy theorists, people of the working class and poverty areas mobilized by class and ethnic loyalties, low information voters can find conspiracy theories, whereby some diabolical people secretly plan to control politics, quite attractive. Conspiracy theorists as identifying an easily mastered mechanism with magical properties rather than attending to what os a[p[parently real, which is that people vote their interests and preferences and legislators are concerned to get reelected and that you have to put up with your boss even if he is nasty because you want to keep your job. Getting rid of  miracles means appealing to ordinary situations and motives. Just the opposite of miraculous thinking which is beneficial and instead spreads gloom and doom.

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What a Political Convention is Not

I wish national political conventions were more analytic.

The first national political conventions largely covered by television was in 1952 and both the Republican and Democratic eventual nominees for their parties were contested. For the Republicans, Robert Taft, often called “Mr. Republican”, was isolationist and anti-labor but was defeated by Dwight David Eisenhower, the famous general of World War II, who was an internationalist who would go on, as President, to in effect ratify the New Deal. I remember Everet Dirksen, the Senator from Illinois, standing on the rostrum and pointing his finger at Tom Dewey, who was the leader of the New York delegation, saying with contempt, Dewey, a strong supporter of Eisenhower, that Dewey “had led us down to defeat”. For their part, there were a number of contestants for the Democratic nomination in that year. There was support by Eleanor Roosevelt for Averil Harriman, the Governor of New York, who had been a major player in diplomatic negotiations for her late husband, and she was interviewed on television on Harriman’s behalf. But Harriman was somewhat stiff and probably nobody could have beaten Eisenhower.

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Taste

 Taste is constrained by circumstance and character.

Taste, as in food or music, is regarded as a personal preference that is inconsequential, but that judgment should not be extended to politics or literature, where people are said to be arbitrary or idiosyncratic but where these judgments are not merely consequential but also matters of character.

Begin with the superficial aren of taste. People like the food they grow up with and therefore often seen as comfort foods or throwbacks to their roots. So I like tongue and Reuben sandwiches because my mother was more or less kosher and some people identify the Italian culture with red sauce pasta rather than Michaelangelo or Dante. My children all knew how to use chopsticks because their family and the families around them frequented Chinese restaurants So food tastes are deeply set, people appalled at being exposed to unfamiliar foods, even though, Levi Strauss’s claim otherwise. In my view, taste is a matter of circumstance and history, however deeply set, and does not they do not convey meaning from or for a food taste. It doesn’t explain a person’s character because they prefer rare to well done steak even if someone can speculate that those who prefer the well done are repressed or that those who eat raw shellfish are more open minded. 

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Freedom and Liberty

These two sentiments divide America. 

“Freedom” and “liberty” are two terms that are used interchangeably since the founding of the Republic, as in “Give me liberty or give me death!”, which might have been said as “Give me freedom or give me death!”, but these two terms should be distinguished so as to be clearer about the architecture of government. Freedom refers to ways in which people are not externally constrained by governments and so point to the process of unleashing people of their shackles. Roosevelt’s “Four Freedoms” refer to becoming  unconstrained by fear and want though it treats the other two as attributes of positive government,  which is the freedom of speech and to engage in religion, but those two had been under attack by contemporary repressive governments and so to be thought of as something to be achieved rather than as the founding fathers thought inherent in human nature. Liberty, on the other hand, refers to what the unconstrained person can do and so are the expressions of individuality rather than a coercive act to be lifted. So people can mean liberty to mean, as many frontiersmen did, to be  far away from their neighbors, or wear holstered pistols so as to create a great equalization, or try unpopular or uncouth thoughts, or to engage in dangerous sports, or to otherwise explore the possibilities of the individuality coming into favor in the late Eighteenth Century.

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Expressionist Primitivism

African primitivism is a Western invention.

Germany was late among the European nations encountering and absorbing the meaning of dealing with more primitive peoples, those significantly less economically and culturally developed than they were, in that the primitive peoples were preliterate, even if, ironically, millennia before, as Tacitus attests, the Germans had been the barbarians who were confronted by the much more advanced Romans. The first invasion was the Spanish Conquest of South and Central America where Spain took gold from South and Central America and exported to that area its authoritarian religion and political administration. The English a century later extirpated the natives rather than turn them into peons so as to use the land for agriculture and so settled their own families into a group of English commonwealths even if they were chartered by an English king or nobleman. The French went farther afield, to Polynesia, exporting their language and culture and marveling, as Diderot did, at the freedoms these people had far from France, just as de Tocqueville, later on, thought was the case when contemplating the United States. More difficult to manage was Algeria, so close by and treated as a department of France, given that the Muslim world was not as far behind the Europeans in their culture and organization though, at the time, falling ever behind the Europeans in the clash of civilizations. The Germans, Johnny come latelies, only had a few puny colonies in Africa, but had become very conscious of primitive peoples. Germans romanticized American Indians in Karl May’s novels and in the Twentieth Century Germans filled their imagination with African people, as was clear in Expressionist art, and including up to the Sixties when Leni Riefenstahl did her unfinished documentary, The Black Cargo.

Double Portrait S. and L., Karl Schmidt-Rottluff, 1925, Museum Ostwall

A good way to begin in understanding the German take on African culture is to look at Karl Schmidt-Rottluff’s Double Portrait S. and L. from about 1925. The two figures are very different. One on the left has wide eyes and a reddish coloring uneven over the face which makes the nose mostly hidden in that color but outlined in green. While the figure on the right has narrow eyes and whose blue patches on the face also extend to the nose but so as to accentuate the nose because the blue is lighter and shaded with gray, it is possible to say that the two figures are portraits that are deliberately made ugly or that they evoke different moods, red for anger, perhaps, and blue associated with sadness. To say that is to speculate or read something in, like making a Beethoven symphony into a story, as people did in the late Nineteenth Century.

What can be accurately said is that the two faces are made into or clad with masks which might either hide or represent feeling, people elusive as they are present, a way of being faces different from a more traditional portrait that aims at accuracy and beauty both at the same time, as with Sargent, who had just died after his very long career. Here, instead, are disquieting and exaggerated presences so that the inner workings are elusive while the face, at least one of them, stare at the viewers in the face, each being what they inevitably are because they can be nothing other. The figures are not seen with x-ray vision or through interpretation or empathy but through how colors make people the ways they essentially are, and so it makes sense to think of masks, just as exist in African style because the mask also makes the person fierce or angry or just impressive because of its exaggerations and so the inner feeling is transmitted from the outside, from the appearances and, also is made rigid and guarded, as if the face could no longer be pliable or plastic but instead, like masks with which people cannot dispense. People of these sorts are rigid and the nature of color, a universal attribute, means they cannot be removed. Once seen, a face as a mask, never remembered. I do not have pleasure in seeing these faces but I appreciate them as existing in a kind of being which eludes their humanity while telling their harsh truths about how people can look and be looked at.

Three Nudes in the Forest, Otto Mueller, 1911

A more straightforward view of primitive Africans is presented by Otto Mueller who does many nudes of women in the forest, the bodies brown rather than black, as well as dual portraits of clothed African women. The style is clear in his Three Nudes in the Forest of 1911. The three, one seated, one standing full front, and the third to the side, are stylized in shape and color. Shadow and light are shown  by yellow tones, while most of the bodies are light brown. The features in the faces are sketchy, the breasts are small, and the vaginas are dark but not prominent. The forest is just a background of green foliage though you can see ferns and trees.The three figures are arranged so that the postures set one another off, as if they were exercises preparing for a portrait rather than the portrait itself. The painting can be compared to Picasso’s Les Demoiselles d'Avignon, near enough in time, from 1907, in that the figures are abstract and play against one another as if in a ballet pose. The objects are shapes rather than express meaning or personality or even sensuality, just their nudity. This is very far away from Renoir who tries to get the skin of his nudes just right so as to convey the beauty and sensuality of these women.

Two Sisters, Otto Mueller, undated

Mueller’s Two Sisters (undated) is very different even if it uses the same colors. The two girls have distinct faces, one with more open eyes than the other, but similar enough to show they are sisters. They are wearing modern dress even if rather unadorned and drab, in yellow and green, as is the green background. None of the brightness of color and elaborate dress found in Sargent, but poised, as suits, I would say, women acculturated to the West whatever their origins. Again, however, their busts are modest and their hair not highly dressed. The figures are distinct enough to make a viewer wonder what these people are like, which is remarkable enough in that these African figures are not just examples of a style, but individualized, and so like real people. Noteworthy, however, is that the trios and quartets of Africans, presumably because they are brown rather than just an arcane color, are put with indistinguishable backgrounds, brown or green and so suggesting foliage or sand but given little perspective and so like wallpaper, flat with a mood or design, and so very different where by Frederic Church, for example, the American artist half a century before, provides vistas so as to see foreign sites and flora and not just the abstracted people in their abstracted settings. The accomplishment of those expressionists make the shapes and the envelopment of setting as making the paintings about color and shape rather than factuality. Max Pechstein does present African natives in canoes just off a village but the anthropological and biological data is subsumed by the fanciful idea that the figures are nude when native peoples wore loincloths, just a fantasy of primitive life as au natural.

Early Morning, Max Pechstein, 1911

These new Expressionist conventions apply beyond the African scene. There is Max Pechstein’s Early Morning from 1911, which is a nude of a blue woman, something like from the movie Avatar, where blue is a natural color for a person, and has the usual sensuous and heavy lines even if her breasts are ample and oval rather than small and pointed and her stomach is large. Kirschner also does nudes in strange colors: whitish, or green, or many nude figures by other Expressionists in one or another brown to show, perhaps, that brown is a natural color for people.  

This leads to a new meaning for the primitive. It means elemental or basic, which in art means getting rid of fancy and civilized conventions like realism or perspective and getting back to the ways in which natives engaged in seeing before the civilized accouterments. In the pictures cited, that meant an emphasis on line and color and no distinction between foreground and background. Expressionists also engaged in presenting small patches of color that undid perspective by showing townscapes with a blur of glare infested places and so truer to experience than even the representations by Monet.

Red Houses, Erich Heckel, 1905

A good example of the Expressionist distinctive use of color is in Expressionist townscapes which avoid fidelity of representation to accomplish a fidelity of the way minds consider color. Erich Heckel’s Red Houses, from 1905, presents a number of houses next to one another which are each in a shade of red, those themselves not well matched but instead having their own qualities as well as adding up to a field of reddishness where the shade of red seems to go beyond the lines of the outline of the individual buildings so as to compass a reddish mass punctuated by blue blobs to indicate windows and all behind a field of dirty green. So this and other Expressionist art abandon the impressionist regularity of working within the lines as well as Whistler presenting swaths of black that emphasize the solidity and spatial dimensions of a bridge. Rather, what Heckel and others capture is a picture before it is straightened out by its conventions to become a representational one but are the experienced blotches not yet intellectually configured, primitive rather than abstract as if first seen before being attended to as a picture. The Expressionists try to imagine, like Kant, what experience is like before formed through the dimensions of time and space, and it is blobs of color.

A way to draw ideas about German Expressionism comes from looking at then contemporary American Negros who, after all, had to manage over the generations to overcome the cultural disparities that came from bringing people in a pre-literate culture forced into slavery and then into Emancipation and then into being part of the American mainstream. Alain Locke a philosopher and a student of the shifting Negro condition, said in The New Negro from 1925 that “African art is rigid, controlled, disciplined, abstract, [while] Afroamerican art is free, exuberant, emotional, sentimental, and humane”. Use these contrasting terms to describe Expressionist Primitivism. The authentically old was formalistic, distancing and scary while the Modernist take on Primitivism was fluid, with elongated rather than sharp shapes, colorful rather than monochromatic, and Romantic in its spirit of abandoning to the primitive rather than overcoming it with news gods and fiats. The plasticity of the self is a modern rather than a primitive invention and that is why, from Mary Shelley to Fritz Lang, it is about the future.

The Biden Withdrawal

Three incumbent Presidents in my lifetime decided not to run for another term, and they did so because they couldn't get reelected, however much Biden may be praised for doing the patriotic thing, which was also the truth.  Harry Truman said he wouldn't run in 1952 because he couldn't get a good enough deal to end the Korean War and because McCarthyite accusations against him had hurt him. Eisenhower had a clean slate. He took the available deal on Korea and bided his time to finish off McCarthy. LBJ declined to run because he could not get a negotiated settlement with North Vietnam and because Eugene McCarthy had nearly beaten LBJ in the New Hampshire Democratic Primary. Biden had to resign the nomination even though the polls with Trump remained close because he was told the polls were bad in the swing states and that the Democratic donors had dried up.

Moreover, there is plenty of time to shift to Kamala as leader. Remember that the entire British election season lasts just six weeks from the time the election is called until it is decided and Kamala will continue Biden's policies both foreign and domestic and can face Trump on the issues of abortion,and Ukraine in a lively manner, asking Trump in  a debate why Trump never criticizes Putin and that Trump is responsible for overturning Roe v. Wade. 

Another thought. Harris' vp nominee will have to be a white male so as to balance the ticket. even though the obvious choice would be someone from a battleground state, which means Wisconsin , Michigan or Pennsylvania. Gov. Evers of Wisconsin is just not mentioned as a heavy hitter. That leaves out Gov. Whitmer of Michigan and Sen. Klobuchar of Minnisota, but not Gov. Newsom of California. He is a heavy hitter but might be willing to take the job because, as the expression goes, it puts him one heartbeat away from the Presidency. LBJ made the same decision and not just to get Texas' electoral votes, though Sam Rayburn mentioned it as did JFK. The trouble with Gov. Shapiro of Pennsylvania is that it would make the Harris-Shapiro ticket too Jewish. Under Kamala, the spouse of the President would be Jewish. Harris's step-daughters refer to her as "mamala". That nearly happened once before because the wife of Michael Dukakis was Jewish and people asked her if she would put up the White House Christmas tree and she said she would. Harris's step-daughters refer to her as "mamala". So no Shapiro as vp. Sen. Mark Kelley of Arizona seems a good choice.

The Assassination Attempt

Political events are moving fast.

My literary sense rather than my sociological one told me that something important would break that was important in the news over the summer because things always do  happen. And so there were two events so far: the Biden debacle on the debate stage and the attempted assassination of Trump just a few days before the Republican National Convention in Milwaukee. Joe Biden, as usual terse and incisive, said no one could tell what the effects of the assassination attempt would be on the November election. Doubtless, I add, new events are bound to intervene, such as a victory over Hamas by Israel, or the long awaited ceasefire, or a bad turn in the domestic economy, which is unlikely in that the economy has been perking along quite well and only diehard Trumpists think otherwise. But the latest news is that Biden has covid and is reconsidering abandoning the nomination for a second term and so the assassination attempt may be overshadowed by subsequent events and not have much impact on the election in November, so far away as it is.

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Biden Bounces Back

But his nomination isn’t secure.

American voters will have to engage in a bit of discernment in choosing which nominee to decide to be President in November. In the past, they could vote on relative charm or whether the economy was doing well, knowing that whomever was elected would have been a responsible President and so not a crucial choice. But not this time.

If Biden had flubbed yesterday during his post NATO Summit Meeting press conference the way he had in his debate with Trump and his interview with George Steponopolis, then Nancy Pelosi and some other senior Democrats could have had the distasteful duty of  going to the White House and telling Biden that he could no longer do the job and give way to either Kamala Harris or a short list of articulate, vigorous and well experienced Governors for the Chicago delegates to choose as standard bearer. But that is not what happened. Biden was strong in offering a comprehensive view of foreign policy. He explained the reason for and accomplishment of a strong NATO to fend off the America Firsters who had not infiltrated into the Republican Party since Pearl Harbor, pointing out that internationalism included both Ronald Rdeagan and himself. He turned a question of whether he was able to negotiate with foreign leaders into describing that he had restored talks with China and that at the moment there was nothing to talk about with Putin who is not willing to budge on his war aims against Ukraine despite the very high casualties to Russia and a loss of land in Ukraine controlled by Russia. Biden also mentioned that he had strengthened the Pacific Rim allies and so was controlling China and  economically punishing Chinese cooperation with Russia.Biden also said that managing Israel was difficult because it had the most conservative  government it had, his own involvement going back to the time of Golda Meir. Biden also managed to point out that at home  employment was up and inflation down and illegal immigration seriously lessened because of his own executive orders. Quite a good performance.

But here is where the discernment comes in. Biden’s voice is weak. He sometimes has to wait a few seconds to recover a word he is looking for, something familiar to myself during advanced age. He sometimes garbles his words or stutters. He is clearly an old man and so need to notice that his knowledge of the facts and ideas remain clear and decisive. He knows what he thinks, has thought through the issues, rather than offering canned statements. Don’t worry about  teleprompters that are used by both candidates. He is an active and acute observer of what is going on and people should notice that if they put aside his  elderly mannerisms. 

The media will over the next four months have a lot of influence in helping the voters to discern what is the differences between reality and appearance, not something required in past elections where voters could choose differences between policy, character or party affiliation. Will the media dwell on Biden’s verbal lapses or attend to the fact that he knows what he is talking about? That could make the difference. An even greater challenge to the media is how to handle Trump, whose test begins soon enough this coming Monday at the Republican Convention in Milwaukee. Commentators have already taken the role of fact checking Trump but will they do it aggressively enough tyo show he lies all the time about anything and that what he says are assertions rather than evidence or arguments, which seems a mental failure of his that goes very far back and so is not the result of aging.

The most important questions to face Trump or his spokespeople starting now is why he has never provided evidence of a rigged election, or why he hid and lied about secret documents and what right he had to ask Georgia to give him the votes needed for him to win the vote in the stage. He and they can claim Trump can’t say because these matters are in the courts, but that doesn’t wash. He is offering himself to be President of the United States not just in jeopardy of being a jailbird.  He can be asked to meet a higher standard, that of public opinion. Ask on the Sunday programs why there are no explanations of these various issues and why is he delaying the process for possibly exonerating himself? The ball is in his court and evading the issues makes him seem guilty, which is reason enough not to vote for him, as well as for his general demeanor of meanness and his plans to overthrow democracy. Commentators may be willing to discuss the 2025 Project but find it distasteful to deal with Trump’s personal character, every president, like Richard Nixon, given a clean shave for his past character once assuming President because it is so distasteful to deal with negative personal qualities. Bjut why shouldn’t they ask? Newspapermen looked into Gary Hart’s personal life and undid  him  as a candidate. Why not ask why revenge isn’t always a bad thing or that diminishing an opponent’s stature by remarking on his small hands or his wife’s appearance diminishes himself rather than the people he tries to belittle. Media people will have to wade into personalities when they try to avoid thinking verbal flubs are evidence but smearing is beneath their dignity when it is the most obvious evidence before them.

We will see next week how the media handle Trump. That could be decisive.

Stories of Anticipation

Stories are not declarations.

What is a story? It is different from narrative, which is the telling of any sequence of events, as happens in a chronicle of kings with some anecdotes about them added. A story is more sophisticated than that, providing irony and closure. And yet, a story is presumably as old as the time people began to speak, telling stories in caves or around campfires that projected into the future how to kill an animal or recalled from the past how an animal was killed. Story is therefore an elemental aspect of human consciousness, a construction of consciousness, just as straight lines are also human artifacts, things out of consciousness rather than from nature. But a theory of straight lines has been available since Euclid while the nature of story is not well elaborated.

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What Democrats Should Do

Biden should pass the torch.

The debate last Thursday was not as awful for Biden as it was perceived because the commentators dealt with Biden’s weak delivery rather than the lies offered and the revenge promised by Trump. the commentators did not deal with the essence which was that, rather than the shitshow predicted, the two contestants made clear what they believed: that the other one was the worst president ever and a liar and sending America to ruin. That clarified things and the electorate can decide which one is correct. More cynical people I know just think that they are both a disgrace, while I think that Biden, even though he has a weaker voice, was correct on the issues and his own propriety.  If Biden wins, the worst that can happen if he becomes a figurehead President, just like George W. Bush. Biden would continue his policies and points of view backed by a strong cabinet while a Trump victory is a disaster for the Constitution. People will see that out-- or so I think.

But people have acted differently and many now seen Biden as unequipped to be President because of his infirmities rather than his wise and agile management of government given the divided populace and organs of government while treating Trump’s bluster as not really meaning what he says, which is to create internment camps for millions of people, get revenge against his political enemies by politicizing the Justice Department and making most civil servants into political decisions an d to replace taxes with tariffs, which would lead  to a Great Depression. What can be done to stop Trump? An interview with George Srephanopolis is not likely to restore Biden’s support and important Democratic leaders as well as media leaders think it time to make a turn. Movement is occurring quickly as was the case when England considered  a surrender to Hitler at the time of Duunkirk and I do not exaggerate the menace a second term for Trump would be to the American Constitution.

I suggest the following plan. The leading Democrats would orchestrate a pageant at the Chicago Convention next month when, Biden having announced he will not run, three or four likely contenders, such as Harris, Klobuchar, Newsome and Whitmer, will present speeches saying that Biden has gone far but like Moses will not enter the promised land but will continue his policies in his name and then  the delegates will jostle with one another about which one will be the standard bearer. (I eliminate Buttigig because Trump will make gayness the issue, but then again, I didn’t think Obama would get elected in 2008 because he was Black. So I could be wrong and Mayor Pete has proven himself an excellent cabinet secretary, having mastered the intricacies of transportation, which are considerable.) Biden might agree with this plan to have an exit with glory, deified while still alive. When Hubert Humphrey, having been defeated by Nixon, returned to the Senate and soon found out to have terminal cancer, he received many tributes from his colleagues about his accomplishments. Rather than thinking this morbid, Humphrey said he loved it. Politicians are like opera singers. They love applause.

There would also be advantages to the nation. Remember that Lyndon Johnson got large majorities in Congress in the 1964 election because of the assassination of John F. Kennedy the previous year. That allowed Johnson to pass major civil rights legislation. A similar tribute to Biden as the person worn down from his long political endeavors might give the Democrats enough election wins that they could pass civil rights and voting rights bills as well as legislation on the border, the electorate a bit guilty at  heaving Biden out now that he was ousted. Such is the nature of popular political feeling. At least we will be rid of Trump and can hope that the Republicans can return themselves into being a conservative rather than  Populist party. That may be wishing too much, but the future can be formed through good wishes rather than dire forebodings.

Expressionist Consciousness

Expressionism concerns the autonomy of consciousness and that issue runs deep in the German psyche.

Expressionism was a short lived art movement mostly in Germany in the three decades before, during, and after the First World War that included figures like Eric Nolde and Ernst Kirschner and Otto Dix though some art critics stretch the term to include some Picasso (who, after all, tried a bit of everything), El Greco’s “View of Toledo” (which was religiously inspired while Expressionists were not) and Vincent Van Gogh (who used bright colors and so was very different from Expressionists). The idea of Expressionism, critics generally agree, is that it was an attempt to externalize the feelings within people rather than to accurately portray what the external world looked like. That is true as far as it goes, but that does not explain how the actual features of the art convey the apparently other-worldly and cynical view of the scenes represented and what places them in the social context of Germany at that time. Go back to the elements employed in these paintings of Eric Ludwig Kirshner, the movement’s most central figure, to answer the question. 

Here is Kirshner’s “Berlin Street Scene” from 1915, one of his many presentations of fancy ladies, some of them prostitutes, but not in this painting. These are sophisticated people. The look still predates the Flapper Age, with its short skirts and tiny bosoms, but the women are able to look classy, what with their well tailored dresses, both vividly red and blue, and with fancy hats. The women have shadowed eyes and pale faces while a man among them is smoking a cigarette, a sign of liberation from conventionality, as is the straightforward gazes of the women. Aesthetically pleasing and a bit different is that the red dress is to be contrasted with so many men and women dressed in blue, these accented with yellow highlights. What is the significance of this presentation?

Adopting Barrington Moore Jr.’s view that democracy proceeds from West to East and stymied by the remaining presence of a peasant class, industrialization also moved West to East and was more unsettling as it became ever more abrupt. English industrialization was home grown and developed in the Eighteenth Century when the steam engine allowed  for efficient coal mining and common people flocked to the cities to get jobs in the new industries. France did not make that transformation until Louis Philippe, the bourgeois king, and Russia did not industrialize until the Twentieth Century, while the change over in Germany, the marvel of it, was the generation before the First World War. Berlin was a young and adventurous city. The point about these sophisticated Berlin women was that Berlin had emerged rapidly in the last generation as a world class city replete with the most advanced Western culture and the latest trends and fashions accompanied with a subway and an electricity driven montage of lighted ads and internal combustion engine autos.

Look more deeply than to the audacious contemporary of  “Berlin Street Scene” by turning to Kirschner’s “Street, Dresden '' from 1906. Rather than the later sarcastic view of women primping and showing off in their pointed angularity, a comment about fashion and being fashionable, the earlier painting tries to get to the experience of what it is to meet people on the street. The essential quality of those people encountered is that they are fleshy rather than fleshed out. They are people caught in passing for a moment and so no more than dots of eyes on doughty faces, these distinguished by different skin shades even if we would all consider them white, some of them pale and some yellowish and some more red. The oval faces make them all somehow familiar even if they are strangers to others and by implication to themselves, people knowing others see us as strangers on the street.

It is also important to look at the color of the dresses in “Street, Dresden”. As with skin tone, the painting is more realistic than an Impressionist point of view might imagine them to be. One woman wears a striking yellow jacket over her blue skirt. The dress is partly continued by the yellow theme in another part of the painting but that does not dissuade the viewer from seeing the color scheme as disjointed and a bit ugly, perhaps because the jacket is not quite pure yellow, the dress admixed to make it a bit off. The dresses of the adjoining women have red dresses that are also not primary and somehow clash with the other dresses. This seems realistic rather than as is usually thought as the imposition by Expressionists by strange and clashing colors because, in fact, people do not wear their clothes to coordinate with the people they will meet. The actual scene is of whatever collection of colors is a happenstance and so a jumble.

The colors used in Kirshner and other Expressionists  is akin to what happens in architecture. Yes, there were planned residences in Berlin at the time just as the design for the apartments in Bath, England had been designed to provide a unified presentation of an oval of similar heighted houses. That provided a very pleasing environment. The same thing happened when the Lincoln Center area in New York was razed so as to build a set of coordinated buildings, much to the chagrin of those who preferred the helter skelter version of Times Square as an entertainment venue. Most of the time, most architectural places are also a jumble of buildings from different periods and contrasting styles, disproportionate in scale and in a variety of styles tight next to one another and buildings in various states of repair. The same is true of people on the street. The actual scene is of whatever collection of colors is a happenstance and so a jumble.

Compare the color schemes of Impressionism against which the Expressionists were answering. Impressionist painters presented a number of distinct and fresh colors into their paletes and were able to combine different colors on the same painting as well as make some of the paintings monochromatic. But the Impressionists maintained a uniform and well integrated set of colors in any particular painting and so it can be said that part of the Impressionist mode was to maintain a pleasing and integrating point of view on color so that the color scheme of a painting was independent of its subject. It is therefore fair to say that Impressionist color was a conventionalized idea of culture that, in fact, is true in most of the history of painting. Expressionism, for its part, is thought to have applied conventionalism to color in its preferences for dark colors and the use of green and red even on faces. But the Expressionists were a breakthrough in that there was no longer a need to make the colors uniform but, to the contrary, discordant with one another, answering to how reality itself was a jumble of colors that did not match in some sense with one another. That revolution in color is one of the things that might make Expressionism unsettling and even temporary as a movement because it was so wedded to its limited and strange color range. But that is to forget that Rembrandt and Turner were themselves, each on their own, also wedded with their own color schemes which are acceptable because they are their signature tones and so the ways they each saw the world.

Here is a Kirchner landscape, “The Red Tower in Halle'', that reveals Kirshner’s ways for doing a landscape. The title is itself curious in that the color of the painting as a whole is blue and the tower, not named as a church though it has the steepled shape of one, and is largely black, although the viewer notes, as an afterthought, that the bottom stories of the central structure is not red either but a kind of orange, that color wandering across the painting through the depiction of an orange train atop an orange embankment, which suggests just how large and majestic the structure is. Otherwise, there are shades of blue to color the area surrounding the tower and also white clouds behind. There is what might be a large plaza around the tower, residential or commercial buildings considerably distant from the tower, but there is no hard evidence for the plaza except its existence as an expanse of space  in that there are no indications of the cafes or the statutes that might be present in a plaza that surrounds a significant structure. There are no people depicted though they are presumed to exist in that there is a trolley tram traversing the area. The tower seems like a force field repelling away any other structures around it so as to expand that undescribed space, and so suggests that the mind observes that a space worthy of the tower has to be pushed away so as to allow the tower its stature. Architects make what minds need. 

What is to be made of a landscape divested of its accouterments? “The Red Tower in Halle” can be understood as getting down to essentials by eliminating detail. It just shows blocks of figures, the buildings behind, the spaces around the tower, and the tower itself, experienced as enormous in its setting, towering over the area. That is what is important about the scene: its relative sizes and clearances and the overall blue and darkened hue as if the eye had squinted to see what was really there. That is what it is like to have a feel for a place as opposed to when you see the cafes on the Champs Elysee. Notice how shocking is the contrast to Monet on Rheims, where the details of the stone are reflected differently in different parts of a day’s sunlight. Rather than charmed by the light, the sight is imposing with its gloomy grandeur because of its raw comparative sizes. It is not a stretch to say that Kirshner is onto a phenomenological perspective: to perceive perception as elemental experiences fundamental to the ways of the mind even if people can only with difficulty are able to become aware of what the way their minds work, in this case through blocks father than things and spaces rather than people. This is a new vision not quite lost once seen, while Impressionism, as I have said, remains faithful to its real world surroundings and its details and its color harmony, an artistic addition to the world rather than what an essential mind would garner.

Expressionist painting, even if partly a portrayal of what was fashionable and an artistic movement only temporarily in style, was primarily concerned with consciousness. Even pre-Flapper dress and faces evoked the emotional tones at the core of these people: daring in dress and manner so as to show their independence.  People are like autos in that they have so many styles and colors, each one is perceived by the pedestrian as each to display a type. Each is a kind of personality, as happens when seeing distinct people on the street, each one a type of itself, somehow assembling its own dress and posture and expression. What they are is what counts. That is also true about the structures of consciousness itself. Places seem to bend as shapes are fitted to be placed into the ways the mind will allow them to be organized. Painting therefore illuminates what is invisible and difficult to appreciate by objectifying the ways the mind works.

The conventional and to my mind correct explanation for the depthlessness, the profundity, of German art, literature and thought is that they are all derived from Luther’s perception that religion is found as mediated through consciousness, in that the consciousness is altered by religion rather than that supernatural events intrude in life and people do rituals so as to alter events, which is the case in Catholicism. Kant is the most significant of the German achievements in reducing into secular terms the idea of duty and free will and logical thinking itself as the way consciousness works. Expressionism is a recent version of the attempt to show that to see something is to unfold the way consciousness works, the world perceived from the building blocks of consciousness. That view seems to me, as I say, very deep, even if I think David Hume and G. E. Moore are more accurate in describing the way emotions, social life and ethics work. 

It is a mistake, however, to think that German thought would inevitably descend into Hitler, which is what Erich Fromm thought in his “Escape From Freedom'' because that is to look only at one aspect of the Luther heritage. Expressionists, like Heidigger and his student Sartre, are concerned with the experiences of being rather than how to enter a cul de sac where freedom comes from paradoxically denying it. Rather, the contours of consciousness are inexhaustible in themselves. Were it not for a few mistakes, such as Breuning thinking he could control Hitler, the whole Hitler episode would never have happened and Expressionism could have lingered for much longer and to rival the Abstract Expressionism that claimed American artistic  taste. Remember that Ernest Lubitch, Fritz Lang and Billy Wilder did well in the United States, maintaining their senses of cosmopolitan cynicism, although bereft of their color, while Thomas Mann “colors” and plumage are vibrant and dark in “Joseph and His Brothers”, even if it was written when he was briefly resident in Los Angeles.

 

Evidence in Politics

Are American politics cynical or honorable?

Wittgenstein says that logic can take care of itself. I take that to mean that you can’t explain why logic is logical, just elaborate that you can’t both assert a statement and its opposite even if people as a matter of course do so all the time as when you say Trump is a mean petulant man and is also your standard bearer. I also take Wittgenstein to mean that logic does not vary from place to place or time to time. There is no Jewish or Chinese logic. There is just logic. So logic is a metaphysical matter or, if you prefer, a transcendental matter, a part of the structure of the universe, and even more so, in that other galaxies may have different biologies but no galaxy would alter logic. Logic has a stature that is unassailable. That is very different from rhetoric, which is about persuasion rather than truth and which Plato castigated as a knack rather than necessarily aligned with truth. But consulting political discourse allows us to appreciate how indeed persuasions can change, and that is particularly important in the present day.

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The Present Begins

In other words, when the past is over.

When does the present begin? For me, it was the B-29, which was larger, carried more payload, and had that distinctive bubble nose at its prow and was replacing the not quite antiquated bombers, the B-17 and the B-24. The present began with women in bunned and highly arranged hairdos and art moderne dress, with bold decorations adorning bold colors, rather than the drab colors and shapeless dresses of the Thirties. The present was Fred Allen and Jack Benny engaging in a mock feud across their radio programs. It was the movie poster saying “Clark is back and Greer has got him” which meant Gable was back from the War and how he would match up with Greer Garson, another superstar, was of interest to moviegoers. The present was moving into Queens and summering in the Catskills. It meant knowing that FDR was dead and the United Nations was the future along with atomic energy and space travel. The past, what was antiquated, were cars with running boards  and a squared black sedan, and people who had not yet seen the War, as well as silent films, which I never saw before I was in college, which I discovered as hidden treasures though preferring the talky and well constructed dramatic arcs of the movies of the Forties. The latest news thing that marked the present, the new, when I was young, a pre-tyeener, was the advent of television, first through the windows in bars, then in the living rooms of families with early television arrivals, who after dinner lined up chairs in theatrical style so that the neighbors could come visit and see the new marvel, and then my family getting its own tv set,, an RCA, that enriched my life by providing, among other things, travelogs of G.I.’s returning to Japan to see the sights of the recently ended war.

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The Stormy Daniels Case

Slogans matter more than literature, trials and history.

Distancing oneself from the enormity of Trump having been President and possibly a future President, given his disregard of the U. S. Constitution and his mean spirited character, no prior President having or being so indifferent to law and decency, people like me can do that distancing by turning the current hush money trial into a kind of musical without songs, akin to “Sweeney Todd” or “Guys and Dolls” or “The Beggar’s Opera”, filled as they are with flamboyant characters and dastardly deeds to give a little bite to those middle class audiences out for a thrill and so see “”La Traviata” as a young man who sowed his wild oats before being restored to respectability. So is the case in the Trump trial: a soupcon of tawdriness to make you feel superior to politicians independent of whether you will vote for the sleazebag in chief. Here is Stormy Daniels who turns out to be articulate and feisty, no victim, standing up to Trump’s lawyer, and being won over as a figure of women's liberation rather than why she had to go through with sex with Trump rather than leaving the hotel room. There are the Trump employees still loyal to him but showing in detail just how well organized was the Trump operation in supervising disbursements, he signed the checks, and so the hush money was not inadvertent. There is Michael Cohen, Trump’s Iago or maybe Brutus, turning on Trump perhaps because Cohen got no position in the Trump Administration or because he got cornered by the Feds, or had a profound change of heart, freeing himself of the thralls of being in the Trump ambit and deciding to act in his own interests. There could be an opera called “Cohen'' just as there is no opera called “Iago'', though there should be. Most of all in this cast of sleazy characters, Judge Marcen the exception, but not excusing Susan Nechles, the previously well regarded attorney now representing Trump, who tried to embarrass Daniels, but with no success, and perhaps instructed by Trump to engage in a hatchet job that was damaging to Trump.

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Jesus in Old Age

Rather than crucified, buried in the tomb and resurrected and then briefly appearing in the Upper Room where people could marvel at his appearance, though He could have retired because of his ordeals and occasionally performed miracles for people in the local area who seemed particularly appealing to Him when the case presented it to Himself. Otherwise, he thought about what it meant to know himself as somehow divine and mulled on that, trying to appreciate His experience and its meaning. His children and grandchildren would likely, at least when they were young, to  inquire about that matter and He would answer them as best he could. What did it feel like to be dead? Did it feel anything at all, or bad dreams, or the anguish of the Underworld? Did He wake up slowly or all at once when recovering his consciousness? Was awakening  painful or healed except for the scars on His body, which had healed but which He could  show to the children? Maybe, because He knew a lot of things, He could have dictated a memoir or maybe just said new wise remarks never recorded. Then, eventually, He had died of old age and been passed to heaven in the usual way as happens to people of good will who, around the world, also die and are remembered as an idea, for what they really are rather than in their reputations.

That alternative story would have made Jesus more like Mohammed, which is a messenger who experienced resurrection as a gift or a curse rather than engaged in his essential being and so like Moses as well, who had many faults and so not to be taken as a God. Jesus humanized could have still been preeminent and spiritual but not the singularity in which He has been invested, the Gospel writers working hard enough to eliminate as much as possible the apocalyptic reveries as in Revelations and crisp in being in keeping with Jewish law, rationality, and the ecstacy of suffering which is so central to the experience of Christianity, all of which could be retained with making Jesus more human.